My friend Marissa is missing the "Let-me-make-it-better" gene.
Now, when I think about that statement, it isn't really true -- she reacts to most characters just as most women readers react to them -- but she also shows a curious lack of sympathy for some people. Take Draco Malfoy -- she went from "I hope he actually scores points someday" to "Oh,
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I think your theory has certainly hit the mark. But another hidden part in both parts of the theory is the element of control and power. The average woman, pitted against the average man in a fistfight (excluding any weapons or dirty tricks), would probably lose for physical reasons. So what recourse does a woman have to get her way in life? Negotiation. Furthermore, from the mothering perspective, as mothers, we are going back to a time when the male in question depended and needed you, and was for a time, also physically inferior. That dependency gives the female the upper hand in the relationship ( ... )
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I'm now thinking of Nora in A Doll's House, if you've read that. She knows of her husband's vulnerability and is saving that knowledge for just-in-case.
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Personally, I read H/C when I need something cheery. Confused?
See, even if the main character suffers terribly in all ways, there is comfort and usually a happy end of sorts. The character doesn't suffer alone or unnoticed. As someone said, the whole knight in shining armor-thing. In H/C comfort is guaranteed which is far from the case in real life. It's pure escapism with a healthy (or should that be heady?) dose of 'at least I could be worse off'.
And let us not forget the thrill of watching someone else suffer. You can't have a car crash without a crowd of on-lookers, and in H/C you get every little detail spelled out. It is, I think, also a way of facing something bad albeit secondhandedly.
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Anyway, I agree with soawen -- I read H/C when I need something cheery.
See, even if the main character suffers terribly in all ways, there is comfort and usually a happy end of sorts. The character doesn't suffer alone or unnoticed.
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Maybe this also relates to the mother-goddess concept that pervades so much of fiction. The female concept of deity is usually either the mother, the healer, or the keeper of the hearth. Then, of course, there's virgin goddesses, but essentially they're mother-goddesses-in-waiting. She can fix it. She can make it better.
Yes, Link has sound effects, of course, but my brother and I have decided he's actually deaf and reads lips. He can hear his fairy (or whoever) because she's shrieking into his eardrum. "HEY! LISTEN!" :p
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--aforementioned Web site
Thanks for the link, though ... a new place to procrastinate!
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