ACTION
You can have too much action.
Don't worry, it's not a problem for most of us. Certain people have heard me say, over and over and over, ad nauseam, I hate writing action scenes. I don't think I'm alone. So, because I hate them and try to avoid them, I work hard to include them
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You rule. I am printing this and putting it somewhere, even though I have no space in my dorm room, because this will help me immeasurably in fixing up that trilogy that will never be finished, even though it's done.
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I've also found it helpful to block a scene out before writing it--especially a combat scene. That way I feel that I know where everone's arms and legs are, at any given moment; that's also a good point to send it off to someone who knows more about martial arts than I do, although I haven't done that in quite some time.
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Damn, woman. I may learn to write action after all ... Thank you!!!!!
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LMAO! Smackdown expected and deserved, I promise.
Outstanding primer, Auburn! Thank you! I s'pose I'd better shut up about my own sqirms of dissatisfaction with that part of the scene from Cynara; it's nice to know it read decently. Speaking of the intersection of action scenes and research, I should mention that I ran that bit past Riane, who's been involved in Tae Kwon Do for years and was able to say that there was nothing absurd about the moves themselves. Which, simple as the scene is, I couldn't really have determined for myself.
What occurred to me, reading your essay, was how broadly your observations can be applied to scenes that supply action without being outright combat spectacles. Apologies for stating what's probably painfully obvious, but I like the idea that "action" means more than "fight."
The catacomb scene in Knives is a perfect example. It's a pivotal scene in the development of the plot; there's plenty of danger and plenty of ( ... )
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Tell the world how to make their stuff sing the way Home Before Dark does.
Speaking of the intersection of action scenes and research,
It's ironic that you bring up the catacomb section of Knives. That's a perfect example of research sparking a scene. As soon as I read about the monastery library and the catacombs, it just screamed for something involving Rambaldi. I think it took me two weeks to get it right, because it wasn't part of the plot to begin with.
And I do have a broad interpretation of action. It's what the characters do rather than what their thinking or feeling. And what they do can establish character just as well as peering into their heads.
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