Master Fic List (all fandoms)
Arrow
you need to be cold to be queen | Felicity POV; Oliver/Felicity | PG | It's Felicity who first learns about Oliver's son. | Season Two
Hurricane Felicity | Oliver POV; Oliver/Felicity | PG-13 | It's because Felicity would tell him to pull his head out of his ass in the same heartbeat that she would volunteer to be bait for the baddest of bad guys. | Season Two
What Happens in the Bahamas Stays in the Bahamas (not) | Felicity & Oliver POV; Oliver/Felicity | NC-17 | But this is a hot pink bikini, with little bows tied over each of her hip bones and he starts salivating in such a way, he's surprised he doesn't have to actually wipe his chin. | Season Two
Daryl Dixon's Story, As Told By Felicity Smoak | Oliver POV; Oliver/Felicity | PG-13 | Her hands move rapidly, and something disappears off the computer screen in front of her that he doesn't recognize. When he looks more closely at her, he sees that she has removed her glasses and seems to be wiping at her eyes. | Season Two
The Black Donnellys
Capture | Tommy POV; Tommy/Jenny | PG | He’s drawn thousands of pictures of her.
While Tommy Sleeps | Jenny POV; Tommy/Jenny | PG-13 | Later, when I can feel Tommy in my belly because he’s driving into me with frenzied movements that can’t be stilled, I hear her words echoing through my head. I know exactly who Tommy Donnelly is. And it doesn’t change anything.
Five Times Jenny Reilly Confessed to Tommy Donnelly | Tommy POV; Tommy/Jenny | PG-13 | When she came in the bar, he knew it. He could feel her behind him, but he stayed facing his brothers, watching them play pool, hoping she’d just turn around and walk out. He didn’t need to hear this confession, but he knew exactly why she was there.
The Breakfast Club (film)
Special is a Word That Means Something | John's POV; John/Claire | NC-17 | On Monday morning, John Bender stood with his crew in the hallway of Shermer High School-five guys who he regularly skipped classes to go and smoke doobies with out behind the Ag building.
Burn Notice
Backdraft | Michael POV; Michael/Fiona | PG-13 | When you're a young spy you think the worst thing that can happen to you is getting captured. | Season Two
Detonation | Fiona POV; Michael/Fiona | R | Fiona has loved Michael for far longer than she has wanted to, or would admit to, or even acknowledges. | Season Three
Killing Strickler | Michael POV; Michael/Fiona | As a spy, you have to kill people sometimes. The deal goes sideways, your cover gets blown, or they're just straight-up bad guys who have to be taken down. | Season Three
Dear Frankie (film)
Connor Finlay and the Great White Horse | Multiple POV; The Stranger/Lizzie | PG | Connor Finlay. His name is Connor Finlay. And I think I love him.
ER
Chaos Theory | John POV; John/Abby | R | There was chaos theory, and there were forces of nature, and there was Abby Lockhart, who made love just like she did everything else, with so much ferociousness, John found himself wondering if he'd live through it; but of course when he did, he was anxious to know when the next round would begin. | Season Nine
Why She Says No | Neela POV; Ray/Neela | PG-13 | It was only a ploy. She would hear Ray’s voice in a plethora of voices. It was that familiar to her. It was like her own voice. | Season Thirteen
A is for Aggravate | Neela POV; Ray/Neela | PG-13 | She picks up two mostly-empty pizza boxes and a licked-clean ice cream container, huffing her irritation as she goes. | Season Fifteen
Friday Night Lights
there were nights I died for you, baby | Lyla, Tim POV; Tim/Lyla | R | The radio show makes him the mother fucking star of Dillon. | Season Two
but we were in screaming color | Lyla POV; Tim/Lyla [Jason/Lyla, Tim/Tyra] | R | (See, the thing is, every year after that Tim Riggins will be a part of her birthday, no matter where she is, or how long it's been since she's seen him.) | Season Five
Glee
29 Things Noah Puckerman Thinks About Quinn Fabray | Puck POV; Puck/Quinn | R | Even though the population of Lima, Ohio was only 40,000 people, where she came from and where he came from were two totally different places. | Season One
Pressure Cooker | Puck POV, Puck/Quinn | PG-13 | She's hot as hell, and carrying his baby, and she had those little boys eating out of the palm of her hand after she sang to them. | Season One
Pink Baby Socks | Quinn POV, Puck/Quinn | PG | A week after winning sectionals, Quinn finds out that Mr. Schue filed for divorce, and there go all her plans for her daughter to have a good father. | Season One
You Make It Hard To Be Faithful | Puck & Quinn POV, Puck/Quinn | NC-17 | It's May 21st, and he knows that he can't miss an incoming call today. | Season One
two strangers learn to fall in love again (sequel to You Make It Hard To Be Faithful) | Puck & Quinn POV, Puck/Quinn | NC-17 | Everything is such a blur those first few days after he hears Quinn's message that he doesn't even feel bad about not returning her phone call. | Season One
We Become the Things We Do | Puck & Rachel POV; Puck/Rachel | NC-17 | Watching her is like staring at the sun. Deep down inside, he has always suspected that she is far too bright a star for him. | Season One
the grand facade so soon will burn | Puck & Rachel POV, Puck/Rachel | R | He gets right up on the bag before he recognizes it as Rachel Berry's. He couldn't see the gold stars sown on it from across the room, but up close they are pretty fucking impossible to miss. She is so whack. | Season One
(because happy is) what happens when all your dreams come true | Puck, Rachel, Quinn POV, Puck/Rachel, Puck/Quinn | NC-17 | Noah Puckerman isn't noble, by any stretch of the imagination. | Season One
(if you teach me) I Can Learn | Puck POV, Puck/Rachel | PG | So, him and Quinn? So not happening. And he's okay with that. | Season One
While Quinn Sleeps (a tornado and a volcano meet) | (AU) | Puck & Rachel POV, Puck/Rachel | NC-17 | Puck is a Chicago cop who helps rescue Quinn when she’s mugged on the El, but when he meets her friends, things get really interesting. | Season One
I Despise That I Adore You | Puck & Santana POV, Puck/Santana | NC-17 | He’s starting to figure out that he can get a lot of ass with that smile, and those eyes, and-god-his hands. | Season One
Your Make-up Stains My Pillowcase | Puck POV, Puck/Quinn | PG-13 | Puck's flat on his back, eyes closed in orgasmic aftermath on Mrs. Jamison's bed. | Season Two
All I Want for Hanakkuh (Christmas) is You | Puck POV, Puck/Quinn | R | There's no way she'll be a bitch to him in front of Shelby and Beth, since this is the first (and last) time they're doing this visiting thing. | Season Two
After a Hurricane Comes a Rainbow | Puck POV, Puck/Quinn | R | Sometimes when they practice their choreography for Regionals, Puck's hand will accidentally brush against Quinn's belly. | Season Two
Glee RPF
Congratulations, Reality is Calling | Naya POV, Mark/Naya, Mark/Dianna | PG | No romantic gesture on her part could compete with head-over-heels, chemistry-rules attraction. And whether or not Mark would ever admit it, he'd been in love with Dianna from day one.
Mark and Dianna are Even Better | Mark, Dianna POV; Mark/Dianna | R | No one should be shocked that bird terminology is where he finds explanations for the storm that Dianna Agron has been in his life. She comes, she goes, she beautifies, and then she craps all over everything.
Tidal Wave | Mark POV; Mark/Dianna, Mark/Naya, Dianna/Alex | PG-13 | God, he loves the tabloids. They are all so ridiculous, and if any of them were true, he'd be in jail right now for banging Selena Gomez not to mention the diseases he'd have picked up from every Hollywood ho from Paris to Tila Tequila.
The Good Wife
Certitude | Alicia POV; Will/Alicia, Peter/Alicia | R | She hadn't cheated on anyone--except in her heart. It was ironic really. In college, Peter had been in her heart, and she'd slept with Will, but now Will was in her heart so she slept with Peter. | Season One
every cowboy sings a sad, sad song | Cary POV; Cary/Kalinda, Cary/Dana | PG-13 | She looks at him and ties him in knots and makes him want things he's never wanted before, makes him know if he doesn't run, he'll wish he had at some point. | Season Three
What You Can't Afford | Kalinda POV; Cary/Kalinda | R | Her flavor stems from all the depths of depravity she's gone to, not some beautiful origin story that she's sure he's imagined in his masturbatory hours. | Season Four
Not Broken, Just Bent | Alicia, Will POV; Will/Alicia | R | Alicia Florrick just wiped the floor with his heart, and her parting shot? This was never meant personally. | Season Five
LOST
Altruism | Boone POV; Boone/Shannon | R | The entire time he made love to her, he knew. It wasn't wrong because she was his stepsister; it was wrong because she treated him like shit. | Season One
all the mistakes one life contained | Shannon POV; Boone/Shannon | PG-13 | She can remember kindness from him--even here, in this godforsaken place--he'd been kind when she'd been desperate, when she couldn't get a whole breath into her lungs. | Season Two
Unbroken | Juliet POV; Sawyer/Juliet | R | Something that had begun as a Sawyer Con had developed into the most real relationship she’d ever had. | Season Five
Conversations About Kate | Sawyer, Juliet POV; Sawyer/Juliet | PG-13 | Swallowing loudly he nods his head. “Yep, that’s how it starts, all right. You stop thinking about yourself, and before you know it you jump off a helicopter, or you don’t get on a lifeboat, and bam! You’re stuck in the ‘70s and there ain’t any drugs to be found.” | Season Five
Cling | Kate POV; Sawyer/Kate | PG | The first time she left the island, half of her heart stayed behind with Sawyer; today, she leaves the rest of it with Jack. If it weren't for Claire's hand tightly gripping her own, she wouldn't know what to do. | Post-Series
The Mentalist
Inside Out Smiles | Lisbon POV; Jane/Lisbon | PG | You're surprised by how good you feel after you punch Jane in the nose. | Season Two
NCIS
Itching the Scratch | Tony POV; Tony/Ziva | R | Why he marvels, he's not sure. It's Ziva, after all. And ninja moves are her specialty. | Season Seven
One Step Closer | Ziva, Tony POV; Tony/Ziva | R | Ziva attends the ballet. (Tony buys a house in Tel Aviv.) | Season Eleven
The New World (film)
Untitled | John Smith POV; John Smith/Pocahontas | PG | She was once so attainable, but is now forever drawn from our grasp.
Prison Break
[repost]
Definition of an Addict | Michael, Sara POV; Michael/Sara | R | So when she heard a voice that sounded vaguely familiar, a voice from her dreams, she slowly raised her head. | Season One
list at old fic journal
[Please Note: Due to sheer volume and age, I won't link the stories individually. Once you're there, you can click the pairing you're interested and those fics will come up. There are some general character pieces too.]
Prison Break RPF
Flirting Versus Proprositioning | Dominic POV; Dominic/Kristin | PG-13 | Kristin Lehman and her blonde hair and her bright blue eyes and her kick ass-ness (if that was even a real word) made him just a tad sorry that she wasn’t married as well.
Love Versus Lust | Kristin POV; Dominic/Kristin | PG-13 | She didn’t like how her eyes automatically scanned the crowd looking for him, but she seemed unable to stop doing it, even when Sarah stopped her to say hello.
The Contradictory Need To Wait | Dominic, Kristin POV; Dominic/Kristin | PG-13 | She was a gorgeous woman who he had definitely entertained sexual thoughts about at various times, but all he remembered about this recent dream was that they were somewhere together and he’d felt happy.
Transformation | Dominic, Kristen POV; Dominic/Kristin | R | The first time they had phone sex was on New Year's Eve.
Flag Desecration | Kristin POV; Dominic/Kristin | NC-17 | Reaching out, he sank his fingers into the navy blue cloth that was wrapped around her like a blanket.
One-upmanship | Dominic POV; Dominic/Sarah | PG | "Is someone having a mid-life crisis?" Sarah asked, her eyes lifting from his newly tattooed shoulder to look into his face.
Insight | Sarah POV; Dominic/Sarah | PG-13 | She remembers thinking for once his outer good looks had finally been appropriately matched with an inner kindness.
Two Kinds | Dominic POV; Dominic/Sarah | PG-13 | There were the women your eyes noticed; and there were the women your cock noticed.
Fortitude | Sarah, Dominic POV; Dominic/Sarah | PG-13 | Sarah’s annoyance stemmed from the knowledge that without Went as a buffer, Dominic would act like an ass all day. Maybe, she mused for a split second, he wasn’t acting. Maybe he was an ass.
Satisfaction Versus Integrity | Wentworth POV; Wentworth/Sarah | PG-13 | There were very few credible reasons to keep in touch with a married ex-co-star, especially when that married ex-co-star’s husband didn’t necessarily approve.
Microfic | Went, Sarah POV; Wentworth/Sarah | PG-13 | Teasing words about their chemistry are her way of coping; soon they become his too.
Here We Are (As in Olden Days) | Wentworth POV; Wentworth/Sarah | PG | The casting call had been for a quiet, mysterious doctor, but Went’s agent told him the producers wanted him without an audition.
Suits
Inevitable | Mike, Rachel POV; Mike/Rachel | NC-17 | He tried to make Jenny enough, he tried to make work enough, he tried to make being her friend enough, but none of it was enough, not when Rachel could be like this in his arms, passionate, wild, raw. | Season Two
Twilight Series (book)
Overcome | Edward POV; Edward/Bella | PG | But her beauty has always been something that overcame him. It overcame his baser instincts. It overcame the fact that he should leave her alone.
The Vampire Diaries
Antagonism 101 | Damon POV; Damon/Elena | PG-13 | After the events at the tomb, Damon resolved to be the River Whiskey. | Season One
Afternoon Delight | Damon POV; Damon/Carol Lockwood | NC-17 | Damon picks her up at the Lockwood mansion and has to endure Mayor Lockwood's faux threats about remembering she's a married lady. Wink, wink, nudge, nudge. | Season One
Ten Thousand Spoons | Elena, Alaric POV; Damon/Elena | PG-13 | The way Damon ignores Elena’s insistence that she is going into the house where Stefan is being held is almost…brotherly. | Season One
Fight or Flight | Damon POV; Damon/Elena | PG-13 | His instinct to enjoy Stefan’s struggle is squashed by a number of possibilities that end badly, for each of them. | Season One
Fortune Found | Damon POV; Damon/Elena | PG-13 | He'd never had Elena, not even a little bit. So how can he miss something he never had? | Season Two
the grass is greener where it rains | Jeremy, Damon, Elena POV; Damon/Elena | PG-13 | Finally Jeremy says, "She won't hate you forever." | Season Two
Lame Ducks Don't Do Well As Parental Figures | Jenna POV; Damon/Elena, Jenna/Ric | PG-13 | Jenna really does not want to be lame in any sense of the word. | Season Two
It Took Forever | Elena POV; Damon/Elena | PG-13 | She went to Damon, because she knew he would not deny her anything she asked. | Season Two
Time is All They Have | Elena POV; Damon/Elena | PG-13 | After she survives the Sacrifice, Elena finds herself on Wickery Bridge. | Season Two
Kiss With a Fist | Damon POV; Damon/Elena | PG-13 | It's stressful being the doppelganger. He gets it, he really does. | Season Two
Nesting | Damon POV; Damon/Elena | PG-13 | What? Her smile would make a lesser man do anything. He's just helping with some painting. | Season Two
Crashing | Damon POV; Damon/Elena | PG-13 | She holds up a middle finger, and Damon chuckles, pleasantly taken aback by her vulgarity. | Season Two
The Floor, It Needs Sweeping | Damon, Katherine POV; Damon/Katherine; Damon/Elena | R | He pants desperately against her throat, and Katherine cannot quite identify the emotion spiraling within her chest. | Season Two
Unwanted Advice | Caroline POV; Tyler/Caroline; Caroline + Damon | PG | Damon in her bedroom every morning is just one of the many facets of why it sucks to be a Vampire. | Season Two
I'll Say I Love You in a Text Message | Tyler POV; Tyler/Caroline | PG-13 | He ignores her first three texts. (And he's sorry he returned her phone to her mailbox before he left town.) | Season Two
I Like You Just the Way You Are | Caroline; Tyler/Caroline | PG-13 | It's his voice and the "Ow, Caroline, it's me, Tyler!" that makes her aware that his blood tastes better than any of the other stuff she's had lately from Damon's refrigerated supply. | Season Two
Vampire Barbie | Damon POV; Damon + Caroline | PG-13 | He's had too much to drink the first time he calls her Vampire Barbie to her face. | Season Two
At Last, Regret | Katherine POV; Damon/Katherine | PG-13 | She will show Giuseppe Salvatore the true meaning of vengeance when she unleashes his two sons upon him--as vampires. | Season Two
Comfort Food | Stefan; Stefan/Caroline | PG-13 | Then she begins a great big lament about Matt and how the only thing she ever wanted was him to love her, and he finally did, only he loves who she was, not who she is. | Season Two
The Taylor Swift Anthology | Damon, Elena POV; Damon/Elena | NC-17 | Damon Salvatore hates Taylor Swift, despite his ability to listen to her music. | Season Two
I'm Gonna Burn For You, You're Gonna Melt For Me | Damon, Elena, Stefan POV; Damon/Elena | NC-17 | Elena volunteers to go with Damon, and though he protests, and Stefan's eyebrows knit together, nobody can actually tell Elena what to do. | Season Two
Literary License | Damon, Elena POV; Damon/Elena | NC-17 | "You guys," she said, looking at her two best friends. "Don't you see it? Heathcliff is the original Damon Salvatore. It's so obvious!" | Season Two
Healed By the Same | Damon, Elena POV; Damon/Elena | NC-17 | He kidnaps her on a Thursday, picking her up from school on a day when Stefan never turned up because of other pressing issues (read: Klaus finally came to town). | Season Two
Saved By Grace (Big_Bang) | Damon, Elena POV; Damon/Elena | NC-17 | He has to get Stefan back, and he has to forget everything that happened in his bed the night before. | Season Two
Absence Makes the Fond Heart Wander | Elena POV; Damon/Elena; Stefan/Elena | PG-13 | She calls out as she enters the front door, "You're not naked, I hope, since you knew I was coming!" | Season Three
Looking for a Happy Ending | Elena, Damon POV, Damon/Elena | NC-17 | She's trying really hard not to cry, but it's a futile effort. | Season Three
Four Times Katherine "Helped" Damon, and One Time She Really Helped Him | Katherine POV, Damon/Katherine, Damon/Elena | R | Katherine knows she seducing him, little bit by little bit. | Season Three
like circles in orbit | Caroline POV, Stefan/Caroline | PG-13 | It's not like Caroline starts out knowing she's the only one who can help Stefan forgive himself, but it does end that way. | Season Three
A Girl Like You | Damon POV; Damon/Caroline | PG-13 | There is something comfortable about his attachment and attraction to Caroline Forbes. | Season Three
That's the Beauty of Eternity | Caroline POV, Stefan/Caroline, Damon/Elena | PG-13 | She just wants everyone to be happy, okay? | Season Three
you are the night time fear... | Elena POV, Damon/Elena | R | She'd told him months ago that she forgave him for all of it, but it's only now that she truly does. | Season Three
Hold Me Here | Elena POV, Damon/Elena | PG-13 | When it finally happens he mutters things against her skin. | Season Three
could you look at my chart (help me heal these scars?) | Damon POV, Damon/Elena | PG-13 | He feels like shit, it's fucking Christmas Day, and the only thing he can think to do to make himself feel better is build a fire in the fireplace in his bedroom and drink until he can't think anymore. (prequel to "Hold Me Here") | Season Three
Truth and Consequences | Carol POV, Damon/Carol | NC-17 | Carol Lockwood used to drink socially, but, now, all her tea is of the Long Island variety. (It's stressful being interim Mayor.) | Season Three (set in S2)
A Beautiful Lie | Damon POV, Damon/Elena | R | "I heard you were 'over' Elena. That you'd moved on. I had to come see for myself, considering the last one took a hundred and forty five years. Nine months hardly seems like you tried." She moves closer, her eyes flicking over his face, dropping to his mouth, which has gone surprisingly dry. | Season Three
(standing in the desert) wishing for rain | Stefan POV, Damon/Elena | PG-13 | His whole life-his whole human life-the only person he'd wanted to be like was Damon. | Season Three
i don't have a choice (but i still choose you) | Damon, Elena POV, Damon/Elena | PG-13 | Elena's been mad at him for days now, the sweet tenderness they'd shared having evaporated into the ether with a few well placed words, his brother, and of course, Bonnie. | Season Three
Hand-holding, as an Artform | Elena POV, Damon/Elena | PG-13 | She presses her thighs together, doesn't let her fingers spread to interlace with his. It's not rejection, just denial. Just the impetus she needs to run from the room. | Season Three
Wrong, For the Right Reasons | Elena POV, Damon/Elena | PG-13 | It will happen somewhere between compelled-away memories of Damon surfacing and her first kill as a vampire. Elena will embrace the anger that always hummed just beneath her skin. | Season Three
don't wanna rule the world | Damon POV, Damon/Elena | NC-17 | Damon likes to pretend that he's in control. Like, yeah, he loves Elena, and whatever, but it doesn't control him. | Season Three
i'm not here for your entertainment | Damon POV, Damon/[Elena] | NC-17 | Talking has never gotten him very far with Elena, and it seems, neither had practically fucking her against a concrete barrier at a Super 8. | Season Three
Ignorance | Damon POV, Damon/Elena | R | She weaponless, though. Unless you count her fangs. Because she's on him and in him faster than he can say, "Elena." | Season Three
Before the Sun Goes Dark | Bonnie, Damon, Elena POV, Damon/Bonnie, Damon/Elena | PG-13 | Two days after she breathes life back into Matt Donovan, Bonnie Bennett stands on the far side of the football field watching Stefan Salvatore harassing and bullying a variety of people. | Season Three
Car Pranking 101, a trilogy | Part One | Part Two | Part Three | PG/NC-17/PG-13 | There's no better wingman than Damon Salvatore. | Season Three
Gravity Hurts | Jeremy, Damon, Ghost!Alaric POV, Damon/Elena, Stefan/Elena, Jeremy/Bonnie | PG-13 | A bromance for the ages. | Season Three
Let's Talk About Sex, a series | Universal | Piano Man | lay me down, wash away the sorrow | every journey always brings me back to you | Elena & Damon POV, Damon/Elena | NC-17 | These fics explore the reasons why Elena and Damon have sex with each other. | Season Three
Bright Sky At Night | Original character POV, Damon/OC | NC-17 | There were a bunch of young bucks in the saloon that evening, whooping every other minute about going to War, and the Cause, and Jefferson Davis. | Season Four (unrelated, pre-series)
Badasses R Us | Damon, Elena, Jeremy POV, Damon/Elena | PG-13 | He meets Jeremy at the 'Stoner Pit,' trying very hard not to show his panic. | Season Four
This Hopeless Place | Damon POV, Damon/Rebekah | R | He goes to kill her because she deserves it. | Season Four
Size Matters | Elena POV, Damon/Elena | NC-17 | Instead, she's thinking about Damon. Specifically, his penis. | Season Four
you only know what I want you to | Elena POV, Damon/Elena | PG-13 | In three dimensional glory, Elena stands in her bedroom and watches herself with Damon. | Season Four
i was made to keep your body warm | Elena POV, Damon/Elena | R | His chest gleams in the overhead light and she stifles a laugh behind her fist when she has a sudden image of sparkling vampires; it's hilarious that she ever read Twilight in her 14-year-old innocence. | Season Four
i will tell you secrets God only knows | Damon POV, Damon/Elena | NC-17 | Sex with Elena is a happy fucking place, okay? | Season Four
flay you alive (over and over) | Damon POV, Damon/Elena | NC-17 | (There are no regrets on this morning after, and that's a miracle, no doubt.) | Season Four
All This Devotion | Damon POV, Damon/Elena | R | He should know what Stefan's about to say simply by the look of devastation on his face, but they've had too many tragedies, so Damon can't assume this is only bad news from his brother's point of view. | Season Four
Actions Speak Louder | Elena, Damon POV, Damon/Elena | NC-17 | She coaxes Damon Salvatore into the wrong thing. Or the bad idea. Or, whatever. | Season Four
Real | Damon POV, Damon/Elena | R | Real, from start to finish. That's all he's ever wanted. | Season Four
playing Jesus to the lepers in your head | Damon POV, Damon/Elena | NC-17 | She loves him. She fucking loves him, and there is nothing else to know. There just isn't. | Season Four
Hope's a Bitch | Damon POV, Damon/Elena | PG | He's not really surprised when he wakes up again and she's there. | Season Four
you can't choose what stays and what fades away | Damon POV, Damon/Elena | R | Damon likes actually sleeping with Elena. As in being unconscious. As in not being naked. | Season Four
Epoch | Damon POV, Damon/Elena | NC-17 | When he presses her up against the concrete pillar, he figures she'll put a stop to it. | Season Four (set in S3)
need you now | Damon POV; Damon/Elena | NC-17 | It starts with one voice mail. | Season Four
the less I give, the more I get back | Elena & Damon POV; Damon/Elena | NC-17 | Elena admits to herself that when she remembers sex with Damon she's not quite as detached about it as she is about sex with Stefan. | Season Four
the only voice she hears (is telling her she can't) | Elena & Damon POV; Damon/Elena | NC-17 | He used to look at her in such a way that she couldn't tell if it was his emotion leaking on to her, or her actual feelings; when she turned, it became obvious: they were her feelings, too. | Season Four
Handprint On My Heart | Elena POV; Damon/Elena | NC-17 | To his credit, Stefan has the good sense to realize that Damon being dead and gone does not mean Elena wants to get back together with him. | Season Four | [Sadly, this story will not be completed.]
Switch-Flipped Sex Quartet by upupa_epops and badboy_fangirl | Forgetting | Remembering | Posturing | Little Secret | Damon & Elena POV; Damon/Elena | NC-17 | Season Four
I'm Crazy (But You Like It) | Elena & Damon POV; Damon/Elena | NC-17 | Elena wakes to rain. There is a steady thrum of it outside the window and it strikes her as a little odd. | Season Four
Confessions | Damon POV; Damon + Alaric | R | Damon doesn't argue. It's not that he disagrees; it's not that he knows what treat her good really means beyond the fact that with too much bourbon inside him, Ric's grammar goes all to hell. | Season Four (set in S3)
i am alive, comes with the tragic | R | Damon & Elena POV; Damon/Elena | It's the middle of the night, but every light is blazing in Damon's bedroom, along with a fire on the hearth to combat the unusually chilly June weather they're having. | Season Four
learning to be brave in my beautiful mistakes | Elena POV; Damon/Elena | NC-17 | When you spend three months solid with Damon Salvatore, you realize, you never could have had a fucking clue what romantic love meant. | Season Four
Once More, With Feeling (companion piece to learning to be brave in my beautiful mistakes) | Damon POV, Damon/Elena | R | For the most part, he and Elena agree on things. | Season Four
Bright Phantasm | Elena POV; Damon/Elena | R | Elena's in the library her fourth day on campus when she sees him. | Season Four
The Morally Dubious Princess & Her King (& Their Witch) | Bonnie POV; Damon/Elena, Jeremy/Bonnie | PG-13 | It's Elena's smile that stops Bonnie from leaving as quickly as she had arrived. | Season Five
there's nothing but empty sheets between our love | Elena, Damon POV; Damon/Elena, Jeremy/Bonnie, Stefan/Katherine | NC-17 | "I don't accept your break-up," she says as she jumps on to the bed. | Season Five
don't get too close, it's dark inside | Elena POV; Damon/Elena | PG-13 | Stefan's voice is even softer when he tries to explain what happened, how Katherine deceived them all, how she broke Damon's heart, and how in turn, Damon broke all of their hearts, and now, now they don't know if they can ever get him back. | Season Five
love the one you're with | Caroline POV; Stefan/Caroline, Tyler/Caroline | R | She can't really be in love with Stefan. Because. Reasons. | Season Five
the proof's in the way it hurts | Stefan POV; Stefan/Caroline | PG-13 | She just walks away. And he, he just stands there, watching her. | Season Six
How Cliché | Damon POV; Damon/Elena | PG-13 | So, it's kinda weird, but he thinks they make out more than they have sex. Not that they don't have sex, because of course they have sex. | Season Six
has anybody seen all my wasted love? | Caroline POV, Stefan/Caroline (Caroline/everybody) | PG-13 | So, Stefan loves her. Or, at least this one day, he has a huge epiphany. So he comes to her all earnest-browed and serious-eyed, and she just laughs maniacally, because what bullshit is this? | Season Six
The Vampire Diaries Meta/Fic Recs
Damon Salvatore Character Manifesto | written after S2 but before S3
Damon and Elena Manifesto | written mid-S3
The Vampire Diaries RPF
[Please Note: Most of these fics are cross posted at nina_ian so you can read them there if we aren't friends because all RPF posted on my LJ is locked.]
This Might Be the Story They Tell | Nina POV | PG-13 | She remembers the first time she met him, he was all southern charm and let-me-kiss-your-hand.
The Adventures of a White Fedora | Nina, Ian POV | PG-13 | She wonders if she told him how much he turns her on, if he'd forget for half an hour that she is his much younger (sisterly) co-star, and just, you know, take her out back to his trailer and fuck her brains out.
Call Me Sugar | Ian POV | PG-13 | He takes her home to Sun Valley in June.
Slip of the Tongue | Nina POV | PG-13 | "Brother or boyfriend?" he says as they walk onto the dealership parking lot.
Your Kisses Keep Me Warm | Ian POV | PG-13 | "This is all your fault. I own a convertible! In the coldest place on earth!"
I Wanna Hold Your Hand | Nina POV | R | The first time he holds her hand, they're at Comic Con.
New Favorite Memory | Ian POV | NC-17 | She puts up a half-hearted fight, slapping at his hand and leaning away from his mouth, but it's the breathless little whine as he drags his teeth over the tendon in her shoulder that lets him know he's going to get his way.
No Acting Required | Nina, Ian POV | R | "Sexy, naughty nurse, I like it," Ian purrs in her ear as they're standing idly by waiting for a shot to be set-up.
we'll have more happy ever after | Ian POV | PG-13 | Ian Somerhalder has always been a bit of a fool for love.
Whisper the Sweetest Words | Ian, Nina POV | PG-13 | The issue was not that she had a great ass. The issue was that he couldn't quit staring at it.
Taking the Reins | Ian POV | PG | For their first official date, he wants to take her some place memorable, so he asks her if she knows how to ride.
Home is a Name | Ian POV | PG | "Remember how you cried at our wedding?" she asks with another giggle.
A Memory in the Making | Ian POV | NC-17 | Her fingers slide down to his wrist, and she happens to glance down as they get loose from each other. "Oh, eleven-eleven. Make a wish."
when a new love feels old (and an old love feels new) | Ian, Nina POV | R | In some ways they were like an old married couple.
Significance | Nina, Ian POV | NC-17 | The event that signifies the end of the season: Nina drinks too much.
they make the whole world sing | Ian, Nina POV | R | They do go out a little bit, sight-see, drink wine, avoid pictures with friendly fans. But mostly, they make love and stay in bed all day.
now my heart is an open door | Ian, Nina POV | NC-17 | Atlanta is hot, and Nina can't help but complain, loudly, about it every chance she gets.
like lighters in the dark in the middle of a rock show | Ian, Nina POV | NC-17 | You know it's been a dry spell when you're four weeks into a new season and you're hoping your next script will have a make-out scene for you and your girlfriend.
The Imitation of Life | Nina POV | R | Ian gets the script for 3x22. Ian is sad.
Work-outs For Dummies | Nina POV | NC-17 | The day Nina gets permission from The CW execs to cut her hair, she's so excited, she nearly tells complete strangers in the grocery store.
The Three Phases of Being In Love With Your Co-Star, By Nina Dobrev | Nina POV | NC-17 | First, there's the terribly awkward phase of unrequited love.
Duplicity | Ian POV | PG-13 | It's not like they start out planning to play everybody.
Veronica Mars
no one else can break my heart like you | Veronica POV; Logan/Veronica | R | It probably means something that she sheds more tears over the fact that Logan's carrying an unloaded gun than that a comatose Meg Manning is carrying Duncan's baby. | Season Two
Because. Veronica Mars. | Logan POV; Logan/Veronica | R | He thinks maybe it goes back to how their first kiss wasn't like a normal first kiss. | Movie-verse
The Walking Dead
Sluts are Born, Not Made | Lori POV; Lori/Shane, Lori/Rick | R | The first time Shane makes love to Lori, she cries the whole time. | Season One
The East of Eden Series: Blue Jean Beauty Queen | Cool, Like James Dean | show me what this life is for | East of Eden | Daryl, Beth POV, Daryl/Beth | NC-17 | In those hours after the prison break, in the few minutes here or there that they find silence, he watches her. His hair is in his eyes, so she doesn't know. Except for when she's watching him back. He doesn't bother to look away. | Season Four
The Broken Ones Series: Empty Handed | Holding On | lay your hands on the left behind | Daryl, Beth POV, Daryl/Beth | NC-17 | He'd lived with her for nearly two years, but it's the not-quite-a-week of them being on their own together that transforms his life into two parts. | Season Four
Let the Fire Burn | Daryl POV, Daryl/Beth | PG-13 | The things that flash before your eyes when you think you're gonna die are really fucking weird. | Season Five
A Sexy Trilogy: we're drivin' cadillacs in our dreams | turn my soul into a raging fire | the feeling I get when I wake to your face (it's love) | Daryl, Beth POV, Daryl/Beth | NC-17 | Her white panties are his undoing. | Season Five
The Walking Dead RPF
i'll take with me the memories | Emily, Norman POV, Norman/Emily | NC-17 | She had made it. Both fictionally and non-fictionally. On the show and in show business. And now? Now, she's just another dead girl.
Young Americans
Away, With My Heart | Hamilton, Jake POV, Hamilton/Jake, minor Scout/Bella | NC-17 | There's so much in his head-too much zinging back and forth-that he can't even focus on the biggest news (Jake's a GIRL) because he keeps thinking about kissing Jake, and how it was like the best kiss ever, and they didn’t even do it for very long.
For Me, It Isn't Over (sequel to Away, With My Heart) | Hamilton, Jake POV, Hamilton/Jake | R | For the first time in almost ten years, she sees Hamilton Fleming in the flesh. (In whatever form, he's more gorgeous now than he ever was at fifteen, and when they were fifteen, she'd been positive she had never seen anything more beautiful.)