So I've been reading about feminist criticism of Hamlet for my Lit Studies class. But what I'm interested in isn't so much the Hamlet stuff itself (although I'm sure we can all ruminate on Ophelia until the cows come home). What I'd really like to know more about is this
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It's the power dynamic! This is making all kinds of sense to me. In order for women to survive, we've had to get good at understanding and appeasing men. Oh, wow ... I guess I've always thought of women's empathy as something more biological, but this is so much more logical.
Must ... set up ... scientific ... study ...
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Unless the actions or storyline are obviously sexist, I can't say that it's something I think about when reading (which I've done woefully little of lately). On the other hand, I do feel very off kilter if the gender of a character or viewpoint isn't designated clearly. In order for me to relate or not relate to a story, I seem to feel the need to have my own gender biases firmly in place.
I think gender can be manipulated through writing though. Or rather writing can be used to work in a certain manner on genders. Not across the board, but to a majority at least. I have no idea how many authors take that into consideration when they write, however. And if it has benefits or not.
(Interesting post! :])
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As for the talky sex, I think I'm in a bit of a minority in saying that most of the time, I don't like it. Unless it's really well-written and believable, it tends to feel to me more like an effort to flesh out an otherwise sparsely worded scene. And I really, honestly can't see myself ever yelling, "oh god, SpikeTaraLogan, my loins are dripping with the sweet juices of arousal!" *g*
I wonder, then, if Annie Proulx had any special research or experience or insight in her characterizations of Ennis and Jack in Brokeback Mountain ... they kiss a little bit, but they embrace maybe twice, ( ... )
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I'm with you. I dislike talky sex 95% of the time. It has to be extremely well written for me to find it believeable. I suspect that most of the time it's not written because it's thought to be sexy, but because many people find it difficult to read paragraphs that have very little conversation. I mean, after all, who in their right mind would find 'oh god, yes, AngelClarkWesley, pummel me with that big jack hammer of love of yours' sexy?
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Totally. So I suppose really, this calls for a little innovation. Finding a way to write sex without descriptive dialogue. Sounds like a good challenge ... :)
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I don't have time to leave a really well thought-out response right now, but I will later, b/c French feminism interests me on both a personal and a professional level. I will say, though, that while there is some merit to the notion of gendered communication, I think it does the world a disservice to seek to utterly sever women's writing from men's.
Anyway. I will respond in detail later--possibly with quotes! (You've woken the English PhD student, you see.)
By the way, you were in my dream last night. I was lecturing a class on the concept of negative space (which is weird, since I dont' know much about it), and used "The Body" as an example...and you were there.
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Hmm ... I was in your class, eh? Was I making lewd gestures and commenting loudly on all things fandom?
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