Calling animation fans: go help out
evillittletwit with a history project and tell her
what's your favorite Disney traditionally animated film, and why.
Here's my answer (which is in the comments on
evillittletwit's journal and I thought worth reposting here).
(
Gender, class, and Lady and the Tramp )
Comments 13
I'm a simple person. :)
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I thought of Peg (later on in life, obviously, long after I first saw it) as sort of a Belle Watling character. She loves Tramp and he probably loves her too, but he's not in love with her. He probably thinks she's the best woman dog in the world, but that doesn't matter. Like Rhett with Belle, he thinks she's the best, but his heart is captured by Lady--even though objectively he might think Peg the perfect woman. (As a kid I shipped Tramp/Peg can you tell?)
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I've always 'shipped Tramp/Lady, but always like Peg and felt sympathetic towards her. She's very likeable--which breaks her with the hussy archetype she's based on. She's not trying to get Tramp back or take down Lady. If anything, Peg is selling the idea of Tramp to Lady, her song's all about how fabulous he is, "What a dog!" (with maybe a bit of warning--"breaks a new heart everyday")
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One of the other funny things about Belle is that she's obviously sexy in dog terms--she was even in the Dog and Pony follies. But it's hard to see her as a whore since she's a dog. It seems, again, to be a bit more about class.
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In the context of this movie, yes, but there do seem to be contemporary live-action equivalent archetypes. Nothing that truly matches the Peg/Tramp/Lady dynamic. In fact Belle isn't the scheming hussy--in contrast to Scarlet, she's the angel and Scarlet is, if not a whore, a bit of a demon. Peg and Lady are both angels maybe, and as you said, the main difference being class.
Peg also makes me think of the Hispanic woman in High Noon. Again, it doesn't match exactly, but you've got the guy, you've got the guy's good-hearted but slightly slutty ex, and you've got the guy's current love, who is iconically pure as the driven snow. Like Lady, the Grace Kelly character doesn't fight until she must. And again you have a scene where the ex tells the current flame, in more or less oblique terms, "he's a great guy and you're blind if you can't see it."
High Noon was about class, too, I think.
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I guess I see the class distinctions a bit, but I have a certain classist tendency myself. It also shows Tramp dumping his old ways and moving up, but he also proves himself to the Scottie and bloodhound.
BTW, I am in NYC until Thursday. Did you get my email?
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