Knew I'd left my movie squee around here somewhere.
So, here's the thing. Never been much on the big blue guy. I'm more of a batfamily fangirl, that's no shock.
Still, I've always liked Superman. Whether in the comics or the movies or on Justice League, he always seems to bring a sense of comfort. I grew up on the Christopher Reeve movies, and
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I do want to see it again though!
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And you're right, things like making Richard a good guy and not having Lois wake Superman up shows smart storytelling. "Great Caesar's Ghost" indeed...
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This had a terrific Perry White (don't know the actor's name, though he's familiar).
Lane Smith's "Great shades of Elvis!" is probably my very favorite Perry.
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Oh, and your "the movie has heart, soul..." thing made me laugh.
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Heh. I remember when I first saw the promos for Lois & Clark, when they were presenting it as a romantic comedy/drama about these two people, only the guy had some sort of secret...I liked that version of it, and when they revealed the guy was Superman I was muchly intrigued and HAD to watch *g*
The biggest different between L&C and the other versions is that Clark is the real person and Superman just a disguise.
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I think it's telling that my biggest complaint, overall, is that I think the S on the costume should've been a bit bigger. (I didn't even complain about him being able to hear from outside the atmosphere -- this is Superman; the laws of physics are his bitch.)
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The other issue I had was with Kate Bosworth -- she does pretty well, and she's not a bad actress, but I just didn't get a Lois Lane vibe from her the way I got a Clark Kent and Superman vibe from Routh, or a true Lex Luthor vibe from Spacey. It was more like she was only Lois Lane because they told us she was; I certainly wouldn't have picked her from a group of random women to be Lois unless, say, they were all blondes and she the only brunette.
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Bosworth was an interesting Lois to me. I didn't mind the difference, it just seemed like a different take. But it's not a take on Lois that should be definitive. The Dana Delaney/Teri Hatcher/Margot Kidder type Loises are more my idea of LL. The hard, tough shell concealing vulnerability underneath. Bosworth was soft outside, but still direct and ambitious. I loved the moment in zero-G when she reaches for the pen instead of the oxygen mask, because THAT'S Lois. So I would defend her performance; the only problem I had was she seemed too young.
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