Characters: Rhode Kamelot and OPEN
When: Every night March 6th through 12th
Where: Rhode's dreams
Rating: R+
Summary: Rhode dreams. You dream with her.
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It’s hard to say that I'd rather stay awake when I'm asleep // Cause everything is never as it seems // When I fall asleep )
A golden bell with the number 1 engraved on it hangs from the top crescent of the moon. The hat seems to repel you, you don’t want to touch it. There is something inherently evil about the decorative headpiece. Something very old and malevolent. Focusing on it makes even the single light seem dimmer.
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A man stands ahead of Lucifer on the road, he may seem familiar, for he is Lucifer, only he is not at all. Without knowing how, you know is name is Adam. His name is also Time. He's just as old as history, and there's an unbearable sadness in the set of his shoulders as he looks up at the sky. His back is to Lucifer, but he's tall and broad shouldered, in a neat Victorian dinner suit and coat, with a tall top hat that he places a hand ( ... )
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But this one is special; this one, Adam, is not Lucifer exactly, but also a symbol of the first rebellion of mankind. And the last. Adam is not a man any longer.
He holds Rhode's gaze, and comes to her, shedding his vessel until he is as nondescript as the Thirteen figures, his wings finally visible as shadows outlined at times with lightning.
He looks at Adam with placid familiarity, rests one not-quite-real hand on Rhode's shoulder.
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She's the last guardian alive, when the knife slices through her, trailing shadows. Before the mortal blow, Adam rises, wounded, to fight. The battle is intense and indistinct, and the primary emotion is deep pain and sorrow, Adam crying as he faces the traitor. The mirror of God and Lucifer himself. Jesus and Judas. The great betrayals.
The whole scene shifts, skewed, as Lucifer watches, starting to flicker and static like bad reception as the figure that is Rhode kneels, losing consciousness. Her feeling of failure is almost palpable in the air. I should protect him. Not the other way. And indescribable anger, hurt, helplessness. An inability ( ... )
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Just enough subconscious that he can't help thinking, over and over, of Rhode being cut down. The same way no one is allowed to hurt Michael, no one should touch Rhode, but he knows he can do nothing about it. Adam is his avatar there, or near enough, and if Adam doesn't stop it then Lucifer is helpless.
"What is the Heart he needs?"
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"That was a long time ago." She promises. "And it didn't happen exactly like that." Only she doesn't really remember how it happened. That's the problem. That's only one of many ways it might have, half memories stitched together with old stories to fabricate some explanation.
"It's..." Saying it's the source of the power of Innocence, maybe he'd understand. But she can put it another way. "It's God. And it's hiding."
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There is always misery, a wash of pfysical pain, when God is mentioned. Lucifer suppresses it with an effort.
"Show me something else."
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She picks up the tea cup, taking a sip and looking up at him.
"What do you want to see?"
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What does he most want to see? He has questions, curiosities, things he never has time to indulge in the waking world. And even now, they have so much to do, so he decides how much time he can spare here. It's worth it.
"Show me more of Tyki."
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If Tyki is an anomaly, then he has some of Lucifer's respect. No sympathy, of course. Tyki is, at the end of the day, one of the New Ones Lucifer will never forgive for just existing; but Gabriel does have a point. Some of them are curious, entertaining to watch for a time.
Perhaps that's what Rhode is doing, while Tyki wrestles for control of his humanity.
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"What is he fighting?" Lucifer asks, shifting Rhode on his lap so he can lean forward slightly for a better look. "I haven't had the pleasure of seeing Tyki do much. I hope he'll come to accept me enough to work with us."
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"It's Innocence. It's called Apocryphos--it exists to protect the Heart. It's one of the clues we've been looking for." The battle switches on Tyki, the man-shaped creature abruptly turning the tables on the Noah.
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"Apocryphos," he rolls the word over his tongue, as if he can pick out its history by doing so. "Can't we interrogate them to find out where the Heart is hiding?"
He watches Tyki instead of the Innocence, then, his head tilted in curiosity although he shows no concern. Tyki is strong, Rhode has said it herself and he knows it the way he knows the hearts of all men.
And if he fails, he is meant to fail, and he will be replaced. It's the way of all vessels.
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