Dada excites. I say “yes” to Dada, I say “da, da” to Dada. Just as the poets of the late 19th century were right to breach the cloistered halls of the art world by touting the beauty in ugliness, so Dada is right in provoking and haranguing the old world and calling in the new. It is logical, inasmuch as Dada is an avant-garde and must therefore
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