*Hedda is bored. And, as anyone who has read the play would know, boredom and Hedda don't mix well. And so it would be a very good thing for someone to come talk to her*
*and here's Viola, the picture of ladylike daintyness in her antiquated noblewoman's dress, but there is recognition on her face when she speaks -- she recognizes that boredom, that restlessness, and sympathizes* Good day, madam. *all pleasant politeness, of course, with the appropriate reservation for a woman approaching a stranger, but the wish for company, for something new, is evident*
*Often, she doesn't particularly like talking to those of her own gender, but she can see that there's something more to Viola, though she has no idea what* Oh, don't call me madam! It makes me feel like some tiresome old matron. Hedda will do just fine. *pause* And what should I call you?
Viola, if it please you. *she makes a perfectly proper curtsy, but there's a moment of hesitation first -- it's a moment Viola has become very familiar with, the one where she reminds herself not to bow*
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