Keith Johnstone wrote about Mask/Trance work in Impro. It's pretty insane. I've seen examples of it in videos, but never experienced it myself. Not directly, anyway. I've definitely found myself entirely submerged in a character, while on stage, and it's quite powerful. It doesn't happen often, but when it does, it's magic
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I like to imagine the hero creating and trying out many masks before he or she finds the perfect superhero mask. Those prototype mask trials could be fun scenes, revealing reasons why they are each imperfect superhero masks.
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