may;
i don't give a damn about my bad reputation [eddie blake & mindy macready ]
but there's nothing more sadistic than an infant waving his pistol in my face [ allison cameron & mindy macready ]
doing what they do best [ brian moser & mindy macready ]
the thunder of stampeding rhinos, elephants and tacky tigers [ claire bennet & mindy macready ]
june
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She stumbles back a few paces instinctively as the body falls to the ground, whipping around to face the direction the gunshot seems to have come from, clutching her purse in shock and in case the newcomer proves not to be a savior, but a bigger predator.
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She exits the eclipse of the shadow and continues walking toward Cameron, stopping just close enough to allow her a cushion of comfort. A panicked person is an irrational person, and Mindy knows she needs space to shake off her nerves. Hopefully, the voice of a young girl wouldn't be too alarming.
"You okay?"
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The City is no place for children. It's bad enough for adults, violent and dangerous and eternally uncertain. She's always worried, privately, about how it might warp the lives of young people unfortunate enough to end up here. It isn't that she's unaware that some are warped to begin with; it's a matter of principle, one more thing to resent the so-called deities for.
This little girl is a murderer.
"I didn't even see him until he was..." She winces visibly, swallows hard, her tone low and trembling with incredulity. Cameron isn't accustomed to this sort of fray. A bit of shock seems forgivable.
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Here? Maybe. Truthfully? No.
She doesn't fault Cameron for her nerves, but she's not the type to waste time stalling. Those few seconds were ample enough time and space for anyone, and Mindy steps off to the side-- ready to once again dash out of the scene. Her attacker was dead, the woman was saved, and her job was done. Simple and clean. Of course the lines don't lie so neatly for the Doctor, but that's nothing of Mindy's concern. In fact, it doesn't even cross her mind.
"Well, next time you know better, Doc."
Oh, she knows who you are, Cameron. Then again, the hospital staff aren't invisible about their positions. Information easily accessed. However, Mindy won't give much of a chance for equal investigation of her identity, having once again stepped backwards into a shroud of shadow. The only clear detail is the gleam of her knife slipped into her belt.
"Keep your eyes open and don't be stupid." she adds, nothing but cockiness infiltrating her voice.
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The rest of her, true to form, is worried for the girl's sake. This is no place for a child, no kind of behavior for someone so young. "Thank you," she says quietly, taking a slanting step forward-- towards the girl, away from the dead body. Cameron can't even look at the dead man, though she doesn't doubt his image will haunt her anyway.
Then, before the girl can go-- making a perhaps obvious appeal to childish ego-- she asks one of the more important questions on her mind.
"Who are you?"
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"Me?"
This is one of her favorite lines. Movie magic, lights and camera, and attention moments with a grin in half exposure in the pale gleam of the moon. The wind (or so she imagines) whips her hair in that snapshot ideal, billowing out as she speaks.
"I'm Hit-Girl."
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"Thank you, Hit-Girl," she repeats, with a half-step back to indicate that she's about ready to be on her way. Under the circumstances trying to follow the child home seems like a Bad Idea, and Cameron's clever enough to notice that, though she'll certainly be keeping her eyes open from here on out.
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