And so, I breathe a sigh of relief as we arrive at this, our final YouJack.
mylla directed me towards this one. Sometimes, I think she's trying to kill me.
TITLE:
A Stolen Girl, 3 Stolen HeartsCULPRIT:
SlythPrincessSUMMARY: "You are a young woman who is left all alone after your mother dies. You marry Commodore Norrington, but when you are stolen by
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Comments 26
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Yeah, but he's Jack! He's like TEH HAWT. So that makes it okay. Duh.
...
No, wait. That's what I said last Sue.
I'm spotting a trend.
Seriously, that was exactly my thought. So maybe this Jack is a bit friendlier about the whole climbing on top of me thing, or is sexier or whatever the hell it is, but the difference in his actions is...?
And by the way, your icon is highly traumatising. I mean that in a good way. :p
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(I was also startled when the feeling of being trapped under a man again didn't cause the Sue to panic and turn either physically violent or mentally incoherent.)
I sent the Suethor a long, polite, sincere letter asking her to consider some of the messages she was sending. I know I'll be lucky to get so much as a "if u dont lik it DONT REED IT, flamer!" in response, but I had to try.
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I am (Your full name), daughter of the governor of Port Royal," you spoke clearly and loudly.
"You're a very loyal young lady Miss (Last name), very loyal indeed."
Okay, I know she's hardly the first author we've seen do this, but still. SPORK WITH GREAT SPORKINGS.
Second-person is a gimmick. I've never really seen a story I thought benefited from it, though I'm sure they exist; I don't have a problem with it in theory. But it is not, for pity's sake, a quick and easy way to have everybody identify with your character; that's like handing a little kid a Barbie with a "Hello my name is [whatever]" sticker slapped carelessly on.
If you want to not give your character a name, to keep up the anonymity of second person, fine. Whatever happened to the tried-and-true "You tell him your name"?
(Not even touching the rape parts. Not with an eleven-foot pole dripping disinfectant. I will only go into SEETHE SEETHE SMITE realism-purist mode.)
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I'd paid more attention to how utterly stupidly Will and Elizabeth were characterised in the first few chapters.
Will nodded. "Well, I could never stop true love, even if it does disgust me," he chuckled as Elizabeth smacked him gently on the arm.
Uh huh. And:
"Oh! (You), you look wonderful, but here," she began fussing with your hair and dress, as well as anytihng else she could get her hands on.
I really can't picture Elizabeth giggling. Really.
But the rest of it.
*breaks down*
What planet do these Suethors live on, anyway?
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I would also like to point out that when the broken toes stop being a convenient plot device to let Jack tenderly care for "me", "I" forget about them. Two seconds later "I'm" running around on them and kicking people, all without apparent pain.
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For instance, if I were alone with a raping pirate, I would not mindlessly surrender to his perverse wishes, simply for the sake of being "a woman of my word" or whatnot. (I am most bloody definitely not a woman of my word, especially when dealing with people I loathe.) I would try to strangle him, or scratch out his eyes, or stab him, or something. If possible, I would jump ship and try to grab onto some flotsam until I could float to an island or be picked up by another ship. Or drown. It may be stupid, but it's the sort of frightened, wild animal stupid that all humans are capable of, especially in a situation like this ( ... )
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