"If a theatre were to take on the task of doing the entire work of Shakespeare, out of an absolute conviction that this is the greatest school of life that they know, that group would be an astonishing group in human terms." - Peter Brook
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Obstacles and/or the final approach towards destination volatize these active ingredients, but once past danger and into harbor, the New World exercises its narcotic properties and renders them literally dormant:
The Marriners all under hatches stowed,
Who, with a Charme joynd to their suffred labour
I have left asleep
I don't recall the sailors in Greenaway's adaptation, and we only encounter them (aside from the final scene) after the first scene in an early report from Ariel; for them, the remainder of the play is their epilogue, their charmed dream.The only reminder we have of their condition is Miranda's on-stage somnambulation.
It interests me that Shakespeare left this in the text. He could have killed off the mariners or left ( ... )
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Given what we know about the behavior of sailors (much less stewardesses) on shore leave, I think there's a difference between home port and harbor. The question might be who if anyone is truly at home on the island, but that's for next time.
"Why, where are you off to, Ratty?" asked the Mole in great surprise,
grasping him by the arm.
"Going South, with the rest of them," murmured the Rat in a dreamy monotone, never looking at him. "Seawards first and then on shipboard, and so to the shores that are calling me!"
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But you're right: they don't really go back. We never see it happen. What storm keeps them on the island, after all?
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P.S.: This entry made me want to read Shakespeare. I'll get his Complete Works in the near future. Wish I had something to add to the discussion, but not yet ready.
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I love it here - Blacksburg is definitely not as sleepy as I was led to believe it would be!
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