After I
posted about Hop last week, my friend Kayleigh (you may remember her as my partner in
snow squid construction) said she'd go with me. So. I've seen Hop, and Internets, it was far weirder than I expected. Because I am a giant nerd, I spent the flight from Boston to San Francisco yesterday trying to unpack the tangled gender/class/race
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Now if you can articulate why the scenes in China made me squirm a bit, this would be absolutely perfect. I just can't put my finger on why those bits stuck out in my mind as wrong.
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In the beginning E.B. is willing to consider that perhaps everyone in the world doesn't share the same essential beliefs and experiences. This is good, except that Bertie Woosterbunny and the invisible empire are pushing him to force their beliefs on everyone else, and E.B. doesn't recognize that as a bad thing. Instead he feels resentful of the Chinese woman (who must stand for EVERY Chinese person given the conceit of baskets being delivered everywhere) for rejecting his advances.
This scene also made me uncomfortable because the set seemed really really fake, as if China was a fake place anyway.
But yes, so, later when Fred becomes co-Easter Bunny, and they go back to China and the one woman who lives there is happy to see him, it shows us that yes, actually everyone in the world does love Easter. It was only the talking bunny that upset her, says Fred. ( ... )
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