It's interesting that in our Iowa State Daily newspaper, the featured opinion article on Thursday or Friday was how we need more street musicians. I noticed that too; right now there's literally NOBODY out there at night. You could probably make a killing off the drunk college students here since you would have a monopoly on the market. We need more people like you here, totally.
Hey, I'm glad you're doing well. I'm not quite sure why, but I feel you dislike me greatly. It's unfortunate, in the highest degree. I'd call you and tell you this but you most likely wouldn't answer. It's come to my attention that you think I call you up to use you for whatever various reason. I assure you this conjecture is false. (Ugh I hate Lj) Maybe you forgot how I'd say, "Hey Caleb, you think we could go and talk about things non related to this, just about life and love and such?" Or remember how concerned I was about you that night you and Mal split? I guess you've totally forgoten how we were there for each other the summer before last. I certainly haven't forgotten. You're a strange one. There's so much tension all the time I talk to you I almost can't stand it. I can't deal with you right now as it is. I mean you don't understand how I feel apparently or you wouldn't keep this up. Now, I don't mean to get all dramatic or anything on you here, but seriously, what is it that's so wrong about me? I mean I called you and said
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Yeah I told Ketterer about it and he'd be interested in helping you out again some night also. The more energy, the more likely something like that could happen again. Again, great job, I never knew three chords could sound so good for so long.
Actually it was only one chord almost the whole time. When we were doing "Man of Constant Sorrow" I tried to throw in the subdominant and dominant, but other than that we were just vamping on a bluesy G chord the whole time.
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