FREE-FOR-ALL META COMMENT-A-THON

Jun 06, 2013 16:10

Old news: lj is dead. Everyone is crazy busy, or they have other reasons not to be here. No one has time to read those huge meta posts we used to write once upon a time. But maybe we can all find ten minutes to do this:

FREE-FOR-ALL META COMMENT-A-THON!


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Comments 994

kwritten June 6 2013, 15:18:19 UTC
tvd/btvs | Firstly, a comparison of Elena Gilbert and Dawn Summers - both girls were literally created to be a sacrifice; and respond in wonderfully complicated ways.

(Elena does have the upper hand since she was given a writing room that doesn't spontaneously forget her doppleganger status the way that Joss & Co. dropped the Key-plotline post S5.)

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upupa_epops June 6 2013, 16:06:16 UTC
I suppose the biggest difference between them, funny as it may sound, is age difference. Dawn is 14 when she finds out she is the Key, Elena is 17. At this age, 3 years could be eons. In their case, 3 years are eons. Dawn turns against her own body in the most literal sense, cuts herself for everyone to see, then keeps making passive-aggressive comments about not being real. Elena is old enough to keep it all buried, to wait for the right moment and find a "socially acceptable" way of self-destructing (making a deal with Elijah). We only see just how much she's kept to herself when we get a peek at her headspace in 4x06. Dawn (being only 14, and a kid in the family on top of that), is simply too young to lie as well as Elena does ( ... )

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kadymae June 9 2013, 16:05:16 UTC
I'd like to add on to the age difference thing --

In addition to being 17, Elena is also the eldest sibling, so she's much more used to being a trailblazer, assertive, an agent in the world. She's never had a big brother or sister to help her, to guide her. She's had to figure out a lot of stuff on her own.

Dawn is a younger sister, and she's regularly treated as being young, helpless, not-capable. She's never been seen as, never been allowed to be anything but the "baby sister." It shows. Shows in the dark.

(Okay, there's also the issue of how Dawn is often as smart as a box of hair and self centered, while Elena shows that being smart is the greatest superpower of them all -- think of how she constantly outwits people who seek to trap her -- she's calm under pressure, and is very compassionate ( ... )

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kwritten June 6 2013, 15:34:12 UTC
tvd/btvs | A comparison between Damon & Elena and Spike & Dawn

... thought I was going to say Spike/Buffy, didn'tcha?

Nope.**

It occurred to me a few months ago that there's actually a delightful amount of parallels between these two pairs. I specifically have "&" instead of "/" because I'm looking for is a comparison between these two relationships that can (but doesn't necessarily) have to be hetero-romantic. Both sets have powerful friendships/relationships.

** Mostly because the comparison between Damon/Spuffy (and Bangel/Stelena) seems to be pretty established site of inquiry at this point?

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fluffyfrolicker June 6 2013, 15:39:29 UTC
OMG YES.

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upupa_epops June 6 2013, 15:40:15 UTC
Mostly because the comparison between Damon/Spuffy (and Bangel/Stelena) seems to be pretty established site of inquiry at this point?

Yeah, but it's also the comparison that only works on a surface level, imo? I remember how once upon a time Alex compared Damon not to Spike, but to Faith. That worked pretty neatly.

Personally, I'm a fan of looking at Damon/Elena vs Spike/Drusilla. Obviously it only works to an extent, but it could be interesting, especially if we draw a cross-gendered parallel (Elena as Spike, Damon as Dru).

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kwritten June 6 2013, 15:55:25 UTC
Yeah, but it's also the comparison that only works on a surface level, imo?
In a shallow way that tries to divide fandom, imo. Basically that "of course Spuffy fans are going to be Delena fans because they are crazed and there's not much we can do about it" way of dismissing / starting shipper wars. Mostly I wanted a disclaimer that said: "I don't care about your shipper preferences." :)

I remember how once upon a time Alex compared Damon not to Spike, but to Faith.
ooh! I could see heaps of beautiful potential in that!

(Elena as Spike, Damon as Dru)
*grabby hands*

I think you have said this before - and I pretty much love it! There's potentially even more fodder for this after S4 - what with all of Damon's "let me hold your hand, baby vampire" and the creep-factor. Especially maybe an in-depth comparison between the Damon/Elena blood-sharing sequence vs. the "let's vamp my mum" scene?

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kwritten June 6 2013, 15:36:01 UTC
btvs | Anything Dawn/Key-related, honestly.

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sistergrimmel June 8 2013, 02:15:46 UTC
Is it just me, or does your opinion of Dawn depend heavily on the age you were when you watched? I did a great rewatch of Buffy recently, and I am so much more sympathetic in "Blood Ties" until I realize--oh--it's Buffy's birthday when this is happening.

When I was younger, I super identified with Dawn. Now that I'm older, I see both sides of the Dawn hate. I just hope I never get so old I won't think Spike and Dawn's relationship is adorable. It reveals a side of Spike Buffy alone cannot. The pet names, the adoration and protection he gave Drusilla didn't go to Buffy, who he views as a person, not a thing to be protected (and rightfully so). It went to... Dawn, and later Fred. William after all these years still wants to be somebody's knight, and for a period of time, Dawn let him do that.

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kwritten June 8 2013, 03:43:28 UTC
Is it just me, or does your opinion of Dawn depend heavily on the age you were when you watched?
I actually talk to people about this a lot and it really doesn't. I have talked to people who watched in when they were older who can't stand Dawn and people who were younger who also don't like her. Likewise, I know a lot of people who watched when they were older and felt a lot of empathy for Dawn. Also people who watched as teens and hugely identified with Dawn. I personally watched BtVS in full in my early twenties. (To be fair, I saw "Once More with Feeling" and a few other late-season episodes while in HS, but didn't really get serious and watch the entire series until I was a senior in college.)

So... no. I've done polls and stuff to see if this is true. I also thought that maybe it depended upon HOW you view the series - late arriver, mainliner, in-time viewer; but everything about that was inconclusive, also. It really is a deeply personal reaction - much like most of anything, really ( ... )

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ext_1473268 June 8 2013, 06:09:57 UTC
A lot of Dawn haters focus on her "whining," which...duh, she's 13-14. But the thing they forget is that we don't ever SEE Buffy (or any of the scoobs) when they are this age. I'm absolutely, one-hundred percent certain that Buffy at 13/14, was JUST as bad, if not worse. Heck, in a way, in Welcome to the Hellmouth, she's pretty darn "whiny" at 15 - not that she doesn't have a good reason, but I don't think being the Slayer is any more traumatic than finding out your life is a lie and a big bad wants to kill you and destroy the world with your blood.

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kwritten June 6 2013, 15:41:24 UTC
HP / Teen Wolf || A comparison/investigation of Ginny Weasley / Tom Riddle vs. Lydia Martin / Peter Hale

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kwritten June 6 2013, 15:43:15 UTC
tvd | Caroline's evolution through S4 - specifically the ways she deals (/doesn't deal) with her abuse from Damon in S1

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kwritten June 7 2013, 11:46:10 UTC
1/3 This sl fascinates me, and that's because of, not despite, the absence of 'teachable moments'. I don't think the show silences Caroline: I think it offers a nuanced and realistic portrayal of how such abuse is generally received. Specifically, I think the show uses compulsion in this instance as an effective and discomforting metaphor for rape culture.

In S1, Caroline literally does not know what has happened to her, and is thereby prevented from accessing the support theoretically offered to 'proper' victims. In S2, vampire 'consciousness-raising' gives her access to the reality of her abuse: she overpowers Damon ('I'm angrier!'); he tries and fails to silence (stake!) her; Stefan starts to identify with her (as opposed to using her as Damon-bait). It's interesting that this knowledge coincides with a period of alienation from her friends and boyfriend. It's also interesting that Damon, through his relationship with her mother, still has access to her house - and she is still visibly afraid of him, he is still keen to control ( ... )

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kwritten June 7 2013, 15:18:33 UTC
2/3 I kind of love Forwood, both for its sex-positivity, and for its clear limitations. But Care gets nothing without a fight: her father rejects her new, empowered self, holds her to an impossible standard, and prefers her human state (which was really not-okay for her given Damon's ongoing influence) to any potential for positive vampirism - and her comprehensive Damon-smackdown is in his defense. After this, I don't think she fears Damon, but S3 brings Klaus into her unlife ( ... )

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kwritten June 7 2013, 16:01:23 UTC
3/3 S4, to me, isn't a return to the theme, but a logical extension of it. I never expected Caroline to be 'allowed' (or at this stage, ready) to make a bald statement of fact about her abuse by Damon. I was pleasantly surprised that she was 'allowed' to be pissy about not feeling able to do so. It was realistic that she was happy to draw a thick line between Off!Stefan and On!Stefan - and the comparison isn't with how she views Damon, but how she views Elena, because she expects Elena to do the same for Stefan but not Damon. It's not that Care isn't the victim, but she sure isn't the only victim in that infamous conversation, or in how she treats Elena across the season. Which there is nothing wrong with, because Elena certainly does have the status to prevent Care being put on Klaus patrol all year (of course, so does Stefan).

Her whole attitude to Stefan-Elena-Damon and the sire bond is easy to read as an extended projection of her own retrospective feelings about that part of her human life. But just as Elena's transition ( ... )

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