Master Fic Sticky: Where all my writing lives
Updated 6/23/14
Welcome to my journal. It's mostly fic and fan-girling. Fic is collected here for your convenience. Mind the warnings, and enjoy!
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Heroes Series and Long Fics
Heroes Slash Oneshots
Heroes Het
Heroes Gen
Star Trek Reboot
Sherlock
Teen Wolf
Other Fandoms
Crossovers
Heroes: Series and Long Fics
* Into the Living Sea . NC-17. Nathan/Peter, brief Peter/OMC. Written for heroes_bigboom 2008.
After the events of Don’t Look Back, Nathan Petrelli has his brother committed to a mental institution. Peter suspects that Nathan’s reasons for locking him up have more to do with Nathan’s nervousness about his campaign and his guilt over his sexual relationship with Peter than with any noble concern for Peter’s well-being. In his attempts to get Nathan to relent, Peter unwittingly makes things worse, and then much worse.
* Love's the Burning Boy/In the Forests of the Night
Love's the Burning Boy. NC-17 (violence, non-con, dub-con). Nathan/Peter, brief Peter/OMC, and the rest of the ensemble. Written for heroes_bigboom 2007.
It’s been four years since the bomb, and the future turned out not to be quite as bright as the Heroes had hoped. Some have lost friends, some have gained unlikely allies, and all are looking for a way to change what the world has become. Nathan and Peter Petrelli work to reassemble their lives after a painful betrayal, Hiro pursues a mysterious new mission, and Mohinder tries to make up for past mistakes. No one’s motives are above question, and it’s only a matter of time before everyone’s problems converge.
In the Forests of the Night NC-17 (violence). The sequal toLove's the Burning Boy.
If you can’t change the past, you have to live with the present and work toward a better future. Nathan attempts to lead, Peter finds a new path, and Mohinder has to decide what side he’s on. Hiro and his team try to bring all the pieces together while other special people are working towards a different end.
And Home for the Holidays (from the Love's the Burning Boy 'verse).
Peter visits the White House on Christmas Eve
Only in the Dark. NC-17. Mohinder/Sylar(Gabriel).
A missing scene from Chapter Nine of Forests. Gabriel is hiding after overhearing a conversation between Mohinder and Hiro. Mohinder comes to explain himself.
* New Wounds - Set in an AU version of the Five Years Ago universe (make a left turn before Past Hiro arrives on the scene).
Part 1. NC-17 (graphic violence, dub con). Sylar-masquerading-as-Nathan/Peter, Nathan/Peter implied.
Peter learns to deal with captivity and his “brother.”
Part 2. NC-17 (non-con, abuse in every sense of the word). Nathan!Sylar/Peter, Nathan/Peter implied.
Peter realizes who’s been playing with him.
Part 3. NC-17 (non-con, torture, more angst). Sylar/Nathan, Sylar/Peter.
Sylar continues to use the Petrelli brothers against one another.
Part 4. NC-17 (dub-con, violence). Sylar/Peter, Nathan, Petrellicest implied.
Nathan gets to see Peter.
* Par Avion, a Mon Amour. NC-17 (for sex and war violence). Nathan/Peter.
Nathan Petrelli is serving on the western front on WWII, and he is starting to loose his grip on the illusions that have kept him going all these years.
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Stand-Alones
Heroes Slash
Nathan/Peter
* Auction Day. NC-17 (D/s, slavery). Peter/mystery pairing.
Peter’s up for sale at the club where he’s been a slave for the past year.
* Close Enough to Touch. NC-17 (D/s, phone sex). Nathan/Peter.
Peter doesn't do well on his own after Nathan breaks it off with him. Nathan tries to correct the problem.
* Don't Forget Who's Taking You Home. NC-17 (rough sex). Nathan/Peter.
Peter’s been naughty all night. Nathan sets him straight.
* First in the Nation. PG. Nathan/Peter implied.
Nathan is following the 2008 Presidential race, and Peter assumes the worst.
*Five Times Nathan Petrelli Didn't Figure It Out (And One Time He Did). NC-17. (One warning would be a spoiler through the story, so it's listed at the end of the story itself, if you need it. Nathan/Peter, and one other pairing implied. Set pre-series through "Six Months Ago"
Nathan always thought he was good at figuring out what his brother was thinking. He was wrong.
* Kiddie Table. NC-17. Nathan/Peter.
Nathan finds a way to pass the time at the annual Company retreat he's attending with his parents.
*Lot's Wife PG-13. Nathan/Peter (ish). Guest appearance by Hiro.
Post Dual, Nathan sends Peter away. Peter looks back.
* Proving Ground. NC-17. (D/s). Peter/Nathan.
After Coyote Sands, Nathan tries to apologize.
* Resisting Arrest. NC-17. Nathan/Peter.
Detective Nathan Petrelli is sick of chasing around spoiled trust-fund kids. One of them gives him a reason to take advantage.
*Where You Lay Down, There's My Bed. NC-17 (prostitution, amnesia, and inherent consent issues). Nathan/Peter. Peter/other implied.
Post Season One, Nathan goes looking for his missing brother. He finds him in Amsterdam, and Peter's not quite the man he remembers.
Sylar/Peter (and sometimes Gabriel)
* A Teachable Moment. NC-17 (non-con, violence, d/s). Sylar/Peter.
Sylar crosses Peter one time too many, and Peter decides to teach him a lesson.
* Aloha!. PG-13 (boy kissing). Sylar/Peter/Gabriel. A fluffy bit written for capn_mactastic's 2007 Advent Calendar and vaguely set in the Smut Stew verse.
Sylar and Gabriel help Peter shake the winter blues.
* Every Guilty Stain. NC-17 (non-con). Sylar/Peter, implied Nathan/Peter. A “missing scene” from .07%.
Sylar sees Peter’s weakness, and knows how to use it.
*Gingerbread Men. NC-17. Peter/Gabriel.
Gabriel is in the holiday spirit. Peter lends a hand. Or two.
*In the Stacks. NC-17. Peter/Gabriel.
Peter and Gabriel are college students, and Gabriel’s been spending too much time in the library.
*The Image That Troubles My Sight. NC-17. Peter/Gabriel.
An alternate look at how Peter learns to use Gabriel's power in the alternative future of 3x04, "I Am Become Death."
* Turbulence. NC-17 (PWP). Written for capn_mactastic's 2007 Advent Calendar.
Sylar and Peter take a plane trip. You know where this is going.
* The Persistence of Memory (The Dragon Slayer Remix) NC-17. Sylar/Peter
Sylar doesn't know what, exactly, Peter wants him to do about the memories.
* Price of Admission (the Echoes Remix) NC-17. Sylar/Peter.
Peter may not like everything they do in bed, but he can pretend.
* The Pros and Cons of Sharing a Room With Your Twin. NC-17. Gabriel/Peter.
Peter has always been the bolder of the twins. Now Gabriel is ready to reap the benefits.
*A Righteous Man. NC-17. Sylar/Peter.
Peter helps Sylar find "good."
* Wedding Present. NC-17 (Non-con). Sylar/Peter.
On Peter and Claire’s wedding day, Peter gets an unexpected, unwelcome visitor.
* What's His is Mine. NC-17 (dub-con). Gabriel/Peter, Nathan/Peter implied.
In a world where the three Petrelli brothers grew up together, Gabriel is frustrated with Nathan and Peter's tight relationship, and decides to get some of his own back.
* Whetstone. NC-17 (Bondage). Sylar/Peter.
On Valentine’s Day, Peter has a surprise that he knows Sylar wants.
Sylar/Luke
* Battlefield. NC-17. Sylar/Luke.
After a battle, Sylar and Luke channel their bloodlust into a different activity.
*Heat Transfer. NC-17. Sylar/Luke. (Prostitution!)
Luke takes care of himself. Sylar takes exception to his methods.
* Knowing Your Limits. NC-17. Sylar/Luke (unhealthy power dynamics,
mention of past child abuse)
Luke needs to learn not to exhaust himself so easily.
*Liberty. PG-13. Sylar/Luke.
At Ellis Island in the early twentieth century, Gabriel Gray finds a newly detained immigrant strangely fascinating.
* Territories. NC-17. Sylar/Luke.
After the Shanti virus decimates the country, Luke finds himself immune and alone.
* PLUS Home for the Holidays (from the Territories 'verse).
Luke gets too enthusiastic about Advent.
* This Property is Condemned. NC-17 (D/s, memories of abuse). Sylar/Luke.
Luke misinterprets Sylar's intentions, and Sylar doesn't take kindly to other people touching his things.
* Unspoken. R. Sylar/Luke.
Luke can’t get what he wants.
* What Might Have Been Lost. R (dub-con-ish, mind fuckery), Sylar/Luke (established) and Adam/Luke.
Adam knew a man ripe for manipulation when he saw one.
Adam/Peter
*Butterflies. PG, Adam/Peter.
Corruption comes in pretty ways.
* Let the Punishment Fit the Crime. NC-17 (d/s). Adam/Peter, implied Nathan/Peter.
Adam helps Peter learn from his mistakes.
* Preventative Maintenance. R. Written for heroesfest. Adam/Peter. [Now with shiny remix by aurilly
Adam challenges Peter to get better control over his powers.
* What You Don't Know. NC-17 (D/s). Adam/Peter plus Nathan.
Nathan demands to be shown how things were between Adam and Peter. It’s not quite what he imagined.
* We’ll Wander Down Where the Sins Cry NC-17 (rough sex, mild power play) Adam/Peter
Peter can't imagine how it must have felt for Adam to be imprisoned by the Company for so long without the comfort of human touch. When they get out, they do something about it.
Abusive Bastards: Arthur, Linderman, Peter, and sometimes Nathan
* A Choice Vintage. NC-17 (Dub-con). Arthur/Linderman/Peter.
Peter’s plan to embarrass his parents backfires.
* Advantage. NC-17 (Dub-con). Arthur/Peter.
After losing his powers, Peter has to make himself useful in other ways.
*Down to the Felt.NC-17 (dub-con). Linderman/Peter, Nathan/Peter implied
On a trip to Las Vegas, Peter’s tired of being ignored by Nathan, so he goes out for a night on the town and gets in over his head. Linderman rides to the rescue. Sort of.
* Ready For the Bad Things to Come. NC-17 (Dub-con, underage, daddycest). Arthur/Nathan.
Nathan loses his virginity to Arthur. (This one is creepy and the bad kind of wrong, please be aware).
* Tabula Rasa. NC-17 (dub-con). Arthur/Peter, Nathan/Peter
Sequel to Five Times Nathan Petrelli Didn't Figure It Out (And One Time He Did). Nathan convinces Peter to confront their father.
*There's Bound to be a Ghost in the Back of Your Closet. NC-17 (dub-con). Arthur/Peter.
Arthur knows how far Peter will go for Nathan, and he takes advantage of the leverage that gives him over his youngest son. (See sequel: Peace Offering)
* Peace Offering. NC-17 (dub-con). Arthur/Peter/Linderman. Written as a sort of continuation of There’s bound to be a ghost in the back of your closet. Also stands alone.
Arthur has a night alone with his youngest son, and he has a surprise for Peter.
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Other Slash Pairings
*Allow Me to Introduce. NC-17. Claude/Peter.
Peter’s trying to play the dutiful son and brother. Claude tries to talk some sense into him. In public.
*Barter. NC-17 (non-con). Peter/Other, Nathan. Takes place after 3x10: The Eclipse, Part I.
Peter had never been great at staging daring rescues.
*Behind Clouds, Sun Shines. R. Sylar/Mohinder.
After a virus decimates New York and turns the city into a ghost town inhabited by sun-shy creatures with a lust for blood, doctor Mohinder Suresh doggedly searches for a cure, alone. Sylar can’t stay away.
* Every Tool is a Weapon if You Hold it Right. NC-17 (Non-con). Sylar/Adam.
The company sends Sylar to bring Adam in. Sylar gets a little satisfaction in the bargain.
*Experience is the Best Teacher. NC-17 (dub-con).
Future!Peter/Peter. Peter shows his younger self the darkness of humanity.
* Leverage. NC-17 (Non-con, violence). Danko/Peter.
Danko's federal team has brought in the fugitive Peter Petrelli. Danko has a plan on how to best turn this situation to his advantage.
*New Year's. NC-17. Nathan/Gabriel.
Nathan comes looking for his brother during a family function. Gabriel doesn’t want to go back to the party.
AND
*New Year's (What Peter Saw)
* Not Fade Away. PG. Claude/Peter.
Claude's not surprised to find Peter in the hospital again.
* Role Reversal. NC-17 (D/s). Peter/OMC.
Peter finds a way to feel powerful again, even if his abilities aren't what they were.
*Turnabout is Fair Play. NC-17 (asphyxiation play). Adam/Hiro.
Adam has issues with what happened between him and Hiro.
*Untitled Kink Meme Fic #1 NC-17 (Daddy kink, master/slave dynamics) Nathan/Peter implied, Peter/Governor Malden
Peter is a slut for Nathan. Explicit, mildly disturbing daddy kink.
*Untitled Kink Meme Fic #2. NC-17 (non-con, humiliation, paddling, forced cross-dressing, bad things). Peter/others. Yeah.
Peter has a rough time at boarding school
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Threesomes
*If You're Not With Us. NC-17 (non-con). Knox/Flint/Peter-as-Jesse.
Knox knows the man in the bank with them is not really his friend Jesse, and he has an idea of how to teach this interloper a lesson.
*Or The Fool Who Follows Him. NC-17. Nathan/Sylar/Peter.
Nathan and Sylar are playing with Peter. But who’s really in control?
* Preserving the Bloodline. NC-17. Arthur/Angela/Linderman
Angela wants a child, but she wants to make sure that, unlike Nathan, this one will be born with powers.
* Santa Baby. NC-17. Sylar/Peter/Gabriel. (Smut Stew AU)
Peter goes looking for the perfect Christmas present. He finds it.
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Heroes Het (?!)
* Love Is. NC-17. Adam/Elle.
Adam impresses on Elle that love hurts.
* You and Me Song. PG. Nathan/Heidi, Nathan/Peter lightly implied.
Nathan and Heidi both know what’s going on here.
Heroes Gen
* Bargaining. PG.
Lyle is not a big fan of Claire’s new admirer.
* Beatification. R (violence, dark).
Monica never wanted it to go this way.
* Commencement. G.
Peter and Angela attend Nathan’s commencement
* Final Push. R (drug use).
There’s a vision inside Isaac that needs to get out.
* Fugue State. PG-13 (violence).
Everything seems a little unreal for Niki after what happened in LA.
* The Long Crawl of Hugh Glass. PG.
After disposing of Candice, Sylar is alone in the jungle. Mostly.
* Naming. PG. A ficlet I wrote after the Season 2 premiere; it's now been Jossed all to hell, but I like it anyway.
Peter has a lot of time to think.
* Obstacles. PG. Army AU.
Peter has some minor trouble on a training run with his team.
* Philosopher's Stone. PG-13. [Now with remix by poisontaster!]
Bob was unremarkable in every way except when it came to Elle.
* Revisited. PG.
Molly falls prey to the Nightmare Man.
*Still Too Far to Fall. PG. Takes place during 3x10: The Eclipse, Part I.
On the way to Haiti, Nathan finds out something about his brother.
* Study Break.
A wee!Petrellis ficlet. Nathan has a paper to finish. (Now with podfic by speccygeekgrrl
* Theory of Change. PG. Takes placing during 3x01 The Second Coming
After Nathan’s miraculous return from the dead, Peter must figure out what to do next, and whether he’s already sacrificed too much of himself.
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Star Trek Reboot
* A Level Course and True. Kirk/Spock. NC-17
Spock is experiencing an unsettling emotional response in the wake recent events, but the very last thing that could possibly improve the situation is a late-night confrontation with James T. Kirk.
* Absolution. NC-17 (D/s and bondage elements). Kirk/Spock
For this, Kirk can only come to Spock.
* By the Book. NC-17 (sex pollen). Kirk/Chekov.
When Kirk’s stung by an unusual creature on an away mission, Ensign Chekov responds with all the enthusiasm of a good Starfleet officer.
* Circle Yes or No PG-13. Kirk/McCoy
McCoy would find Kirk’s incessant attempts to set him up on dates less exasperating if he wasn’t also having to hide the fact that he already knows who he wants: Kirk.
* Debrief. PG. Spock/Sulu
After a harrowing mission, Lieutenant Sulu addresses his superior officer's concerns.
* Disciplinary Action. Spock/McCoy and Kirk, w/ McCoy/Kirk implied. NC-17 (dub-con)
In the Mirror!verse, Spock doesn't appreciate Cadet Kirk's cheating on the Kobayashi Maru test.
* And the sequel Saving Face. Kirk/McCoy. NC-17 (Mirror!verse, consent issues)
* Divertissement. PG. Sulu/Chekov with guest stars Uhura and Janice Rand.
Pavel is thrilled to be dancing in The Nutcracker at the San Fransisco Ballet, but his life would be easier if he didn’t have a crush on the dancer playing Prince Charming.
* Good Man. NC-17 (George Kirk/Jim Kirk).
Jim has a chance to prove himself to the father he never knew.
*Hallmark Moment. PG-13, Kirk/McCoy. (drabble)
Kirk always knows just what to say.
* I'd Take a Bullet Meant for Both of Us NC-17 (mirror!verse, tons of warnings) Kirk/McCoy, McCoy/Pike, Kirk/McCoy/Pike
When backed into a corner, McCoy has to make a deal with Christopher Pike, Commandant of Cadets at the Imperial Academy.
* Also, Home for the Holidays (from the I'd Take a Bullet 'verse).
Kirk gets all sentimental at Yule.
* Many Hands Make Light Work. NC-17 (aliens made them do it). Spock/Kirk/McCoy, Spock/McCoy.
Kirk may have given a few passing thoughts to Spock and McCoy’s relationship, but he didn’t mean for things to end up like this. Really.
* My Heart is a Holy Place. NC-17 (Sulu/Chekov, Mirror!verse, non-con).
Sulu and Chekov are in the early stages of their relationship when Chekov finds himself in an alternate universe with a very different Sulu.
*Old Home Ground (The Now and Then Remix). PG. Gen w/ Winona/George.
Remixed from Purity by velvetfiction.
Though Winona had been born there, the farm didn't feel like home. Not any more.
* Position of Strength. NC-17. Spock/McCoy/Kirk.
Spock and McCoy have differing opinions about how to do just about everything. Including Kirk.
* Proper Motivation. NC-17 (Dub-con). Spock/McCoy/Kirk.
In the Mirror!verse, Kick impresses on McCoy why his continued obedience is necessary.
* Proving Ground (The Rush of Blood Remix). NC-17 (Mirror!verse, mind the many warnings). Sulu/Chekov.
Pavel Chekov has a plan to join the most prestigious fraternity at the Imperial Academy. Despite the brothers’ rigorous system of testing new recruits, Chekov is determined to prove himself worthy, no matter the cost.
* Stop What You're Doing and Breathe. PG-13. Kirk/McCoy.
McCoy has to get to Jim, no matter the obstacle. (bad dreams and drowning!)
* Thinly Veiled Excuse. NC-17. Sulu/Chekov.
A shipboard mishap gives Sulu and Chekov a chance to spend some quality time together.
*Triptych. NC-17. McCoy/Chekov, McCoy/Kirk/Chekov.
This is how it happens, from three points of view
* Wag the Dog. NC-17 (puppy play). Sulu/Chekov.
Chekov likes it when Sulu takes control.
*We Have Loved the Stars Too Fondly to be Fearful of the Night. NC-17 (slavery and inherent consent issues, memory of sexual violence). McCoy/Chekov.
More than anyone else on the Enterprise, Leonard McCoy knows that space is disease and danger wrapped in darkness and silence. As much as he’s seen in the two years since the Narada incident, he’s not prepared when a simple mission ends in the disappearance of a crewmember. The crew must adjust to the idea that one of their own may never come home.
And its sequel Though My Soul May Set in Darkness. NC-17 (mind the warnings) McCoy/Chekov and various other pairings.
Chekov has recovered from a year spent in captivity after an away mission gone wrong; he’s repaired relationships with his friends and built a new love with a certain surly ship’s doctor. A new undercover mission could offer Chekov closure, but other crew members object to putting himself in danger again. Chekov knows he’s strong enough to face his fears, but can he convince those closest to him that this mission is worth the risk?
And Home for the Holidays (from the I Have Loved the Stars 'verse).
Chekov explains the importance of Noviy God.
* What I Say (When I Say Anything at All). Kirk/Spock. NC-17
Discipline was impossible around James T. Kirk.
* You Gotta Be Starving For It. NC-17. Pike/McCoy/Kirk.
Pike tests McCoy's limits with a little help from Kirk
* Za Vas Vsyekh (or, The Dangers of Toasting on the Enterprise). NC-17. Sulu/Chekov.
Chekov teaches the rest of the crew to drink vodka.
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Sherlock
* Absnc Mks <3 Grw Fndr. PG-13. John/Sherlock.
John goes on a trip, and Sherlock continues with business as usual.
* Better Than On a Dream Intrude. R. Sherlock/Victor Trevor, Mycroft Holmes
Sherlock had done everything right, but he'd still failed. He retreats to a safe place to put things right.
* Combine and Conquer (the Pivot Remix). NC-17. Sherlock/John/Lestrade.
John gets more than he bargains for when he suggests a threesome as his and Lestrade’s next adventure as a couple.
* Compersion. NC-17. Sherlock/John/Lestrade.
After The Fall, John and Lestrade find that love’s not halved in the sharing.
* The Cure is Worse. PG-13. John/Sherlock.
Sherlock needs to test a theory about his nicotine habit. The results are not what he expects.
* Desdemona. R (Established D/s relationship). John/Sherlock
For this to work, John has to be able to trust Sherlock with the most precious thing of all: Sherlock's own well-being.
* Exquisite When Unseen. NC-17, Sherlock/John.
Sherlock wants to understand the effect he has on John, but discovering what’s right before his eyes might require a blindfold.
* First Right of Refusal. PG-13. Mycroft/Lestrade.
Lestrade isn’t ready to say yes to everything.
* Fragile, Like Frost. G. Young!Mycroft and Young!Sherlock.
On Christmas Eve, Sherlock thinks he knows why the Holmes parents are arguing.
* The Golden Key (Ice Melt Remix). PG-13. John/Sherlock
The current case involves a dead maid, a rumour of ghosts, and a quickly worsening head cold, but none of that troubled John so much as the troublesome patterns he began to notice in the way Sherlock dealt with death.
* Honour Guard. PG. Mycroft/Lestrade.
Lestrade is participating in a state function. His uniform for the occasion causes some interesting reactions.
* I Don't Buy It; It's Not For Sale. R. Sherlock/John (ish).
John has quite a bit of professional experience, but he hasn’t encountered a client quite like this before.
* In My Master's House Are Many Rooms. NC-17 (mind the many warnings). Sherlock/John with Mycroft/Lestrade and other assorted pairings.
As a new slave in the Holmes household, John is having trouble finding his place.
And see the master post for more stories in this universe.
* Indelible. R. Mycroft/John.
John wakes up, and Mycroft lulls him back to sleep.
* Intelligence Gathering. R. Mycroft/John.
John’s not used to formal wear, but if Mycroft insists, he’ll make the best of it.
* Knockin' At My Cellar Door R. Moriarty/Sherlock.
Sherlock can't stay away from Moriarty, but he can't be himself, either.
* Lay Down Your Burdens (the At Your Feet Remix).. Mycroft/Lestrade
Mycroft can’t be everything Lestrade needs, but he will keep trying
* Lesson Learned. G. Mycroft & Sherlock.
Mycroft's careful plans are derailed by Sherlock's abhorrent behaviour. The reason for the distraction, however, is not what he expected.
* Lessons. R. Sherlock/John, Mycroft/Lestrade.
Sherlock stumbles across evidence that makes him doubt John’s loyalty.
* A Little Bit, Sometimes. R. Sherlock/Jim Moriarty.
Moriarty knows how to keep Sherlock coming back for more.
* A Little Healthy Competition. R (D/s play, light BDSM). Sherlock/Jim Moriary.
College AU. Sherlock and Jim have a little bet going that involves a hefty forfeit.
* Long Distance II. PG-13. Sherlock/John.
While John is out of town, Sherlock contracts a mysterious illness.
* Maybe There Is a Beast, Maybe It's Only Us. PG-13, Sherlock and John.
After running afoul of pirates during an investigation, John and Sherlock find themselves stranded and dealing with the deepest of their individual fears.
* On the Scent. PG-13. Sherlock/John
While investigating a mysterious death at a foxhunt, Sherlock’s attempt to teach John a new skill does not go as planned.
* Personal Tutoring. NC-17. Mycroft/Sherlock(ish)
Sherlock comes to Mycroft for some information.
* Proves the Rule. R. Sherlock/John.
John has rules he abides by, no matter who pays for his services.
* The Rules are the First to Go NC-17 (Alpha/Beta/Omega-verse). Lestrade/John, Sherlock/John.
Sherlock has no interest in bonding with John Watson, or with anyone, but he may regret bringing John to a crime scene manned by DI Lestrade.
* RSVP: A Well-Dressed Detective and His Reluctant +1. NC-17. John/Sherlock
John had followed Sherlock into some unpleasant situations, but this one was proving to be particularly dreadful.
* Seems to Be the Only Time I Can See You Clearly. R (mind the warnings). Lestrade, John.
Sometimes John’s friends call him when they need to get patched up off the record. He wishes these things didn’t happen so frequently to the people he cares about.
* Still Alive For You, Love. NC-17. John/Lestrade/Sherlock.
Lestrade and John vigorously demonstrate their displeasure at Sherlock’s running off and getting himself into trouble.
* The Structural Integrity of Complex Polyhedra. R (D/s elements). John/Lestrade/Sherlock.
Sherlock doesn’t understand John’s reaction to this case, so he goes to Lestrade for assistance.
* A United Front. R. Sherlock & Mycroft with hints of Sherlock/Mycroft
Mycroft perpetuates deceptions for a living, but he does attempt not to lie to himself, at least where his brother is concerned.
* The Wisdom of Cats (The Complementary Remix). R (incest, pet play). Mycroft/Sherlock.
Remixed from jain’s fic A Quiet Evening In
Sherlock could stop any time. He didn't need what Mycroft provided on their evenings together. He could break the script if he wanted. He simply chose not to.
* You Can Have It. R. Mycroft/Lestrade.
Every moment they're together deepens the plans Lestrade knows may never come to pass.
* You Lead, I Lead, You Follow, I Follow. PG. John/Sherlock.
John wakes up after a chase gone wrong to find Sherlock watching over him, but he’s a little hazy on the details.
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Teen Wolf
* I Will Keep You Safe and Warm (the On the Run Remix). PG-13. Scott/Isaac.
*The Night Sky Is No Home. PG-13. Scott/Isaac.
Isaac can’t handle it if one more person-one more person who’s supposed to care about him-makes him feel this worthless.
The Crash Series
* You Land Badly. NC-17 (non-con warning) Ethan/Aiden/Isaac.
Isaac really shouldn’t have gone after the twins without the rest of the pack.
* Go To The Edge Sometime. NC-17 (non-con), Ethan/Aiden/Isaac
No one else can know what Isaac’s done.
* Prove Your Body Wrong. NC-17 (non-con), Ethan/Aiden/Isaac, and Scott/Isaac.
Isaac can’t hide forever, especially once the twins’ actions begin to have consequences he didn’t foresee.
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Other Fandoms
* Avengers: Everything in Its Place. R (Dom/sub). Clint/Natasha.
This is the last piece of the puzzle Natasha needs to reassure herself it's all over.
* Black Jewels: Visitation. R (dub-con, drugging, incest). Daemon/Lucivar.
Lucivar doesn’t allow himself many weaknesses, but he can’t refuse comfort from Daemon.
* CSI: Compelling. NC-17 (non-con, drug use, violence, bigotry, tons of angst, seriously dark, use of cliched plot devices ftw). Nick/Greg.
Nick goes undercover, and he and Greg end up in serious trouble.
* Frankenstein (Nick Dear play): I Learnt the Ways of Men. R. Victor/The Creature.
The Creature pursues Victor to offer him a small chance at retaliation.
* Harry Potter: No Surprises (The Feels Like Falling Remix). Written for remix_redux. NC-17. Draco/Harry.
Harry’s not quite sure how he ended up in love with Draco Malfoy.
* Heroes RPF: You're My Atomic Clock of Days. NC-17. Adrian/Milo.
"That video better not EVER be seen by ANYONE, you hear me? Adrian. Seriously."
* Hunger Games: Inevitable As the Tide. R (non-con). Finnick Odair/Annie Cresta, Finnick Odair/Coriolanus Snow
After Annie survives the 70th Hunger Games, President Snow must make Finnick understand his place in the Capitol.
* Misfits: A Momentary Lapse. PG. Simon/Alisha.
It’s not the real thing, but Alisha can’t stop thinking that it could be, someday.
*Pretender: Sanctuary. NC-17. Jarod/Sydney (sort of)
Jarod is investigating a string of disappearances at a BDSM brothel when he receives an unexpected visitor who complicates his plans.
* Sherlock Holmes (book canon): If I Could, I Would Take Your Hand. PG. Holmes/Watson.
Holmes must content himself with looking.
* Sherlock Holmes (book canon): An Invitation, and What It Made Known. PG. Holmes/Watson.
Holmes and Watson have yet to discuss their plans for the upcoming festivities.
* Supernatural: You Turn the Screws (It's What You Choose Remix). NC-17 (mind the warnings). Dean/OCs, Dean/Sam.
Dean can endure anything for his family, but the last thing he wants to give up is Sam’s respect.
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Crossovers of All Kinds!
* Beggars in the House of Plenty. Supernatural/Heroes. NC-17 (dub-con, AUish). Sam/Peter.
Peter, youngest son of the family behind Petrelli International, has found something special with the Sam, whose brother is a lowly bodyguard.
* Balance of Terror (and Zombies). Supernatural/Star Trek. R. Gen w/ hints of Kirk/Spock
Sam, Dean, and Castiel encounter some mysterious strangers, one of whom is experiencing some eerily familiar symptoms.
*Commanding Officer. Heroes/Supernatural au. NC-17. Nathan Petrelli/John Winchester
Nathan is desperately searching for something, and John has an idea of what it could be.
*The Conscience of the Kirk, or How to Stop a Pathetically Self-Destructive Man . Heroes/Star Trek. NC-17. Kirk/Peter, Kirk/McCoy.
Kirk spends a typical night on the town without his best friend, but the consequences bring up feelings he isn’t ready to confront.
* For the Record. Misfits/Sherlock. PG. Gen (w/ implied Sherlock/John and Alisha/Simon).
If Alisha thinks there’s something strange about the older guy who’s sentenced to community service, it’s nothing to the strangeness of the hyper-observant man who comes looking for him.
*I Deduce in My Sleep. Sherlock/Inception. PG. John/Sherlock(ish).
John Watson doesn't quite recognize the agitated man in his dream screaming about idiots, but he knows that he's important somehow.
* I'm Gonna Sing My Song. Supernatural/Heroes. R. Sylar/Luke.
Luke Campbell knows something’s a bit off about the two guys in the Impala who pick up him from that abandoned diner, but when he figures they might be able to help him find what he’s lost, he has to play his cards just right.
*Intuition. Heroes/Star Trek. PG-13. Sylar/Luke (implied) plus Pavel Chekov.
Luke gets picked up in a sting at a club in San Fransisco, and while he waits for Sylar to break him out, he chats with an interesting cellmate.
* Proxy Heroes/Star Trek Reboot x-over. NC-17. Sylar/Jim Kirk
Jim can’t spend shore leave with the man he wants, but he finds someone interested in just how special he is.
*Recruiting Trip. Heroes/Buffy the Vampire Slayer. PG.
Adam has heard stories about some unusual goings-on in Sunnydale, and goes to see if there's anyone who might benefit from his... mentorship.
* Serenity: Excerpts From an Unfinished Fic. Heroes/Firefly fusion. PG-13.
The job should be simple: get a ship, get a crew, keep flying. But for Captain Nathan Petrelli, nothing ever goes smooth.
* Same Song, Different Verse Heroes/Star Trek drabble. NC-17. McCoy/Peter.
When love sucks, Peter and McCoy commiserate.
* The Secret's in the Telling. Heroes/Supernatural x-over. NC-17. Nathan/Peter (Heroes), Dean/Sam (Supernatural), and some cross-pollination.
In following the trail of what they think is a rogue special, Nathan and Peter run into a pair of brothers who claim to be demon hunters. As the Petrellis learn more about the menace they've been tracking, they realize all four of them might be in danger, and some things can no longer be kept secret.
*And the sequel: My Brothers' Keepers. Heroes/Supernatural x-over. NC-17. Every combination of Nathan and Peter Petrelli and Sam and Dean Winchester.
Sam and Dean discover demons have been possessing people with special abilities that have nothing to do with magic. Peter draws a future that reunites him and Nathan with the Winchester brothers. Together they find out that specials--people whose powers come from an unusual inherited gene-- are being targeted for possession by a woman who is on the verge of breaking one of the sixty-six seals that keep the devil imprisoned in Hell.
* And an interlude: Home for the Holidays (from the Secrets in the Telling 'verse) (written with jaune_chat.
The Petrellis and the Winchesters treat themselves a bit.
* A Substantial Favor. Being Human/Neverwhere. PG. Marquis de Carabas, Mitchell, George.
When he and George need to get out of London, Mitchell calls in a favour from an old friend.
* There Is Only One Heart In My Body. Being Human/Harry Potter. PG-13. Sirius/Remus, pre-Mitchell/George.
George thought Mitchell was on board with pretending the supernatural didn’t exist, but then again Mitchell had neglected to mention the “being friends with a wizard” situation.
* These Tornadoes Are For You. Firefly/Sherlock. PG-13. Sherlock/John, past Zoe/John briefly mentioned.
When an old military friend of John’s calls him for help, Sherlock insists on tagging along. Luckily, Serenity holds plenty of danger to keep their attention.
and it sequel:
* Can't Help Pushing Buttons. PG-13. Sherlock/John, Zoe/Wash, implied past Zoe/John
Sherlock wants John to continue his friendly association with Zoe, but that depends on her husband coming to a certain understanding.
* Under Control. Sherlock/Supernatural. NC-17. John Winchester/John Watson.
In Afghanistan, John Watson needs to feel something that only a gruff American Marine can give him.
* We Sister Ships of Different Times. Firefly/Star Trek XI. PG.
Uhura isn't one much for playing hostage.
* Winter is Long. Game of Thrones/Heroes. PG. Jon Snow and Adam Monroe.
At the top of the Wall, Adam relates a bit of what he knows.
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Welcome to my journal. It's mostly fic and fan-girling. Fic is collected here for your convenience. Mind the warnings, and enjoy!
Jump To...
Heroes Series and Long Fics
Heroes Slash Oneshots
Heroes Het
Heroes Gen
Star Trek Reboot
Sherlock
Teen Wolf
Other Fandoms
Crossovers
Heroes: Series and Long Fics
* Into the Living Sea . NC-17. Nathan/Peter, brief Peter/OMC. Written for heroes_bigboom 2008.
After the events of Don’t Look Back, Nathan Petrelli has his brother committed to a mental institution. Peter suspects that Nathan’s reasons for locking him up have more to do with Nathan’s nervousness about his campaign and his guilt over his sexual relationship with Peter than with any noble concern for Peter’s well-being. In his attempts to get Nathan to relent, Peter unwittingly makes things worse, and then much worse.
* Love's the Burning Boy/In the Forests of the Night
Love's the Burning Boy. NC-17 (violence, non-con, dub-con). Nathan/Peter, brief Peter/OMC, and the rest of the ensemble. Written for heroes_bigboom 2007.
It’s been four years since the bomb, and the future turned out not to be quite as bright as the Heroes had hoped. Some have lost friends, some have gained unlikely allies, and all are looking for a way to change what the world has become. Nathan and Peter Petrelli work to reassemble their lives after a painful betrayal, Hiro pursues a mysterious new mission, and Mohinder tries to make up for past mistakes. No one’s motives are above question, and it’s only a matter of time before everyone’s problems converge.
In the Forests of the Night NC-17 (violence). The sequal toLove's the Burning Boy.
If you can’t change the past, you have to live with the present and work toward a better future. Nathan attempts to lead, Peter finds a new path, and Mohinder has to decide what side he’s on. Hiro and his team try to bring all the pieces together while other special people are working towards a different end.
And Home for the Holidays (from the Love's the Burning Boy 'verse).
Peter visits the White House on Christmas Eve
Only in the Dark. NC-17. Mohinder/Sylar(Gabriel).
A missing scene from Chapter Nine of Forests. Gabriel is hiding after overhearing a conversation between Mohinder and Hiro. Mohinder comes to explain himself.
* New Wounds - Set in an AU version of the Five Years Ago universe (make a left turn before Past Hiro arrives on the scene).
Part 1. NC-17 (graphic violence, dub con). Sylar-masquerading-as-Nathan/Peter, Nathan/Peter implied.
Peter learns to deal with captivity and his “brother.”
Part 2. NC-17 (non-con, abuse in every sense of the word). Nathan!Sylar/Peter, Nathan/Peter implied.
Peter realizes who’s been playing with him.
Part 3. NC-17 (non-con, torture, more angst). Sylar/Nathan, Sylar/Peter.
Sylar continues to use the Petrelli brothers against one another.
Part 4. NC-17 (dub-con, violence). Sylar/Peter, Nathan, Petrellicest implied.
Nathan gets to see Peter.
* Par Avion, a Mon Amour. NC-17 (for sex and war violence). Nathan/Peter.
Nathan Petrelli is serving on the western front on WWII, and he is starting to loose his grip on the illusions that have kept him going all these years.
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Stand-Alones
Heroes Slash
Nathan/Peter
* Auction Day. NC-17 (D/s, slavery). Peter/mystery pairing.
Peter’s up for sale at the club where he’s been a slave for the past year.
* Close Enough to Touch. NC-17 (D/s, phone sex). Nathan/Peter.
Peter doesn't do well on his own after Nathan breaks it off with him. Nathan tries to correct the problem.
* Don't Forget Who's Taking You Home. NC-17 (rough sex). Nathan/Peter.
Peter’s been naughty all night. Nathan sets him straight.
* First in the Nation. PG. Nathan/Peter implied.
Nathan is following the 2008 Presidential race, and Peter assumes the worst.
*Five Times Nathan Petrelli Didn't Figure It Out (And One Time He Did). NC-17. (One warning would be a spoiler through the story, so it's listed at the end of the story itself, if you need it. Nathan/Peter, and one other pairing implied. Set pre-series through "Six Months Ago"
Nathan always thought he was good at figuring out what his brother was thinking. He was wrong.
* Kiddie Table. NC-17. Nathan/Peter.
Nathan finds a way to pass the time at the annual Company retreat he's attending with his parents.
*Lot's Wife PG-13. Nathan/Peter (ish). Guest appearance by Hiro.
Post Dual, Nathan sends Peter away. Peter looks back.
* Proving Ground. NC-17. (D/s). Peter/Nathan.
After Coyote Sands, Nathan tries to apologize.
* Resisting Arrest. NC-17. Nathan/Peter.
Detective Nathan Petrelli is sick of chasing around spoiled trust-fund kids. One of them gives him a reason to take advantage.
*Where You Lay Down, There's My Bed. NC-17 (prostitution, amnesia, and inherent consent issues). Nathan/Peter. Peter/other implied.
Post Season One, Nathan goes looking for his missing brother. He finds him in Amsterdam, and Peter's not quite the man he remembers.
Sylar/Peter (and sometimes Gabriel)
* A Teachable Moment. NC-17 (non-con, violence, d/s). Sylar/Peter.
Sylar crosses Peter one time too many, and Peter decides to teach him a lesson.
* Aloha!. PG-13 (boy kissing). Sylar/Peter/Gabriel. A fluffy bit written for capn_mactastic's 2007 Advent Calendar and vaguely set in the Smut Stew verse.
Sylar and Gabriel help Peter shake the winter blues.
* Every Guilty Stain. NC-17 (non-con). Sylar/Peter, implied Nathan/Peter. A “missing scene” from .07%.
Sylar sees Peter’s weakness, and knows how to use it.
*Gingerbread Men. NC-17. Peter/Gabriel.
Gabriel is in the holiday spirit. Peter lends a hand. Or two.
*In the Stacks. NC-17. Peter/Gabriel.
Peter and Gabriel are college students, and Gabriel’s been spending too much time in the library.
*The Image That Troubles My Sight. NC-17. Peter/Gabriel.
An alternate look at how Peter learns to use Gabriel's power in the alternative future of 3x04, "I Am Become Death."
* Turbulence. NC-17 (PWP). Written for capn_mactastic's 2007 Advent Calendar.
Sylar and Peter take a plane trip. You know where this is going.
* The Persistence of Memory (The Dragon Slayer Remix) NC-17. Sylar/Peter
Sylar doesn't know what, exactly, Peter wants him to do about the memories.
* Price of Admission (the Echoes Remix) NC-17. Sylar/Peter.
Peter may not like everything they do in bed, but he can pretend.
* The Pros and Cons of Sharing a Room With Your Twin. NC-17. Gabriel/Peter.
Peter has always been the bolder of the twins. Now Gabriel is ready to reap the benefits.
*A Righteous Man. NC-17. Sylar/Peter.
Peter helps Sylar find "good."
* Wedding Present. NC-17 (Non-con). Sylar/Peter.
On Peter and Claire’s wedding day, Peter gets an unexpected, unwelcome visitor.
* What's His is Mine. NC-17 (dub-con). Gabriel/Peter, Nathan/Peter implied.
In a world where the three Petrelli brothers grew up together, Gabriel is frustrated with Nathan and Peter's tight relationship, and decides to get some of his own back.
* Whetstone. NC-17 (Bondage). Sylar/Peter.
On Valentine’s Day, Peter has a surprise that he knows Sylar wants.
Sylar/Luke
* Battlefield. NC-17. Sylar/Luke.
After a battle, Sylar and Luke channel their bloodlust into a different activity.
*Heat Transfer. NC-17. Sylar/Luke. (Prostitution!)
Luke takes care of himself. Sylar takes exception to his methods.
* Knowing Your Limits. NC-17. Sylar/Luke (unhealthy power dynamics,
mention of past child abuse)
Luke needs to learn not to exhaust himself so easily.
*Liberty. PG-13. Sylar/Luke.
At Ellis Island in the early twentieth century, Gabriel Gray finds a newly detained immigrant strangely fascinating.
* Territories. NC-17. Sylar/Luke.
After the Shanti virus decimates the country, Luke finds himself immune and alone.
* PLUS Home for the Holidays (from the Territories 'verse).
Luke gets too enthusiastic about Advent.
* This Property is Condemned. NC-17 (D/s, memories of abuse). Sylar/Luke.
Luke misinterprets Sylar's intentions, and Sylar doesn't take kindly to other people touching his things.
* Unspoken. R. Sylar/Luke.
Luke can’t get what he wants.
* What Might Have Been Lost. R (dub-con-ish, mind fuckery), Sylar/Luke (established) and Adam/Luke.
Adam knew a man ripe for manipulation when he saw one.
Adam/Peter
*Butterflies. PG, Adam/Peter.
Corruption comes in pretty ways.
* Let the Punishment Fit the Crime. NC-17 (d/s). Adam/Peter, implied Nathan/Peter.
Adam helps Peter learn from his mistakes.
* Preventative Maintenance. R. Written for heroesfest. Adam/Peter. [Now with shiny remix by aurilly
Adam challenges Peter to get better control over his powers.
* What You Don't Know. NC-17 (D/s). Adam/Peter plus Nathan.
Nathan demands to be shown how things were between Adam and Peter. It’s not quite what he imagined.
* We’ll Wander Down Where the Sins Cry NC-17 (rough sex, mild power play) Adam/Peter
Peter can't imagine how it must have felt for Adam to be imprisoned by the Company for so long without the comfort of human touch. When they get out, they do something about it.
Abusive Bastards: Arthur, Linderman, Peter, and sometimes Nathan
* A Choice Vintage. NC-17 (Dub-con). Arthur/Linderman/Peter.
Peter’s plan to embarrass his parents backfires.
* Advantage. NC-17 (Dub-con). Arthur/Peter.
After losing his powers, Peter has to make himself useful in other ways.
*Down to the Felt.NC-17 (dub-con). Linderman/Peter, Nathan/Peter implied
On a trip to Las Vegas, Peter’s tired of being ignored by Nathan, so he goes out for a night on the town and gets in over his head. Linderman rides to the rescue. Sort of.
* Ready For the Bad Things to Come. NC-17 (Dub-con, underage, daddycest). Arthur/Nathan.
Nathan loses his virginity to Arthur. (This one is creepy and the bad kind of wrong, please be aware).
* Tabula Rasa. NC-17 (dub-con). Arthur/Peter, Nathan/Peter
Sequel to Five Times Nathan Petrelli Didn't Figure It Out (And One Time He Did). Nathan convinces Peter to confront their father.
*There's Bound to be a Ghost in the Back of Your Closet. NC-17 (dub-con). Arthur/Peter.
Arthur knows how far Peter will go for Nathan, and he takes advantage of the leverage that gives him over his youngest son. (See sequel: Peace Offering)
* Peace Offering. NC-17 (dub-con). Arthur/Peter/Linderman. Written as a sort of continuation of There’s bound to be a ghost in the back of your closet. Also stands alone.
Arthur has a night alone with his youngest son, and he has a surprise for Peter.
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Other Slash Pairings
*Allow Me to Introduce. NC-17. Claude/Peter.
Peter’s trying to play the dutiful son and brother. Claude tries to talk some sense into him. In public.
*Barter. NC-17 (non-con). Peter/Other, Nathan. Takes place after 3x10: The Eclipse, Part I.
Peter had never been great at staging daring rescues.
*Behind Clouds, Sun Shines. R. Sylar/Mohinder.
After a virus decimates New York and turns the city into a ghost town inhabited by sun-shy creatures with a lust for blood, doctor Mohinder Suresh doggedly searches for a cure, alone. Sylar can’t stay away.
* Every Tool is a Weapon if You Hold it Right. NC-17 (Non-con). Sylar/Adam.
The company sends Sylar to bring Adam in. Sylar gets a little satisfaction in the bargain.
*Experience is the Best Teacher. NC-17 (dub-con).
Future!Peter/Peter. Peter shows his younger self the darkness of humanity.
* Leverage. NC-17 (Non-con, violence). Danko/Peter.
Danko's federal team has brought in the fugitive Peter Petrelli. Danko has a plan on how to best turn this situation to his advantage.
*New Year's. NC-17. Nathan/Gabriel.
Nathan comes looking for his brother during a family function. Gabriel doesn’t want to go back to the party.
AND
*New Year's (What Peter Saw)
* Not Fade Away. PG. Claude/Peter.
Claude's not surprised to find Peter in the hospital again.
* Role Reversal. NC-17 (D/s). Peter/OMC.
Peter finds a way to feel powerful again, even if his abilities aren't what they were.
*Turnabout is Fair Play. NC-17 (asphyxiation play). Adam/Hiro.
Adam has issues with what happened between him and Hiro.
*Untitled Kink Meme Fic #1 NC-17 (Daddy kink, master/slave dynamics) Nathan/Peter implied, Peter/Governor Malden
Peter is a slut for Nathan. Explicit, mildly disturbing daddy kink.
*Untitled Kink Meme Fic #2. NC-17 (non-con, humiliation, paddling, forced cross-dressing, bad things). Peter/others. Yeah.
Peter has a rough time at boarding school
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Threesomes
*If You're Not With Us. NC-17 (non-con). Knox/Flint/Peter-as-Jesse.
Knox knows the man in the bank with them is not really his friend Jesse, and he has an idea of how to teach this interloper a lesson.
*Or The Fool Who Follows Him. NC-17. Nathan/Sylar/Peter.
Nathan and Sylar are playing with Peter. But who’s really in control?
* Preserving the Bloodline. NC-17. Arthur/Angela/Linderman
Angela wants a child, but she wants to make sure that, unlike Nathan, this one will be born with powers.
* Santa Baby. NC-17. Sylar/Peter/Gabriel. (Smut Stew AU)
Peter goes looking for the perfect Christmas present. He finds it.
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Heroes Het (?!)
* Love Is. NC-17. Adam/Elle.
Adam impresses on Elle that love hurts.
* You and Me Song. PG. Nathan/Heidi, Nathan/Peter lightly implied.
Nathan and Heidi both know what’s going on here.
Heroes Gen
* Bargaining. PG.
Lyle is not a big fan of Claire’s new admirer.
* Beatification. R (violence, dark).
Monica never wanted it to go this way.
* Commencement. G.
Peter and Angela attend Nathan’s commencement
* Final Push. R (drug use).
There’s a vision inside Isaac that needs to get out.
* Fugue State. PG-13 (violence).
Everything seems a little unreal for Niki after what happened in LA.
* The Long Crawl of Hugh Glass. PG.
After disposing of Candice, Sylar is alone in the jungle. Mostly.
* Naming. PG. A ficlet I wrote after the Season 2 premiere; it's now been Jossed all to hell, but I like it anyway.
Peter has a lot of time to think.
* Obstacles. PG. Army AU.
Peter has some minor trouble on a training run with his team.
* Philosopher's Stone. PG-13. [Now with remix by poisontaster!]
Bob was unremarkable in every way except when it came to Elle.
* Revisited. PG.
Molly falls prey to the Nightmare Man.
*Still Too Far to Fall. PG. Takes place during 3x10: The Eclipse, Part I.
On the way to Haiti, Nathan finds out something about his brother.
* Study Break.
A wee!Petrellis ficlet. Nathan has a paper to finish. (Now with podfic by speccygeekgrrl
* Theory of Change. PG. Takes placing during 3x01 The Second Coming
After Nathan’s miraculous return from the dead, Peter must figure out what to do next, and whether he’s already sacrificed too much of himself.
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Star Trek Reboot
* A Level Course and True. Kirk/Spock. NC-17
Spock is experiencing an unsettling emotional response in the wake recent events, but the very last thing that could possibly improve the situation is a late-night confrontation with James T. Kirk.
* Absolution. NC-17 (D/s and bondage elements). Kirk/Spock
For this, Kirk can only come to Spock.
* By the Book. NC-17 (sex pollen). Kirk/Chekov.
When Kirk’s stung by an unusual creature on an away mission, Ensign Chekov responds with all the enthusiasm of a good Starfleet officer.
* Circle Yes or No PG-13. Kirk/McCoy
McCoy would find Kirk’s incessant attempts to set him up on dates less exasperating if he wasn’t also having to hide the fact that he already knows who he wants: Kirk.
* Debrief. PG. Spock/Sulu
After a harrowing mission, Lieutenant Sulu addresses his superior officer's concerns.
* Disciplinary Action. Spock/McCoy and Kirk, w/ McCoy/Kirk implied. NC-17 (dub-con)
In the Mirror!verse, Spock doesn't appreciate Cadet Kirk's cheating on the Kobayashi Maru test.
* And the sequel Saving Face. Kirk/McCoy. NC-17 (Mirror!verse, consent issues)
* Divertissement. PG. Sulu/Chekov with guest stars Uhura and Janice Rand.
Pavel is thrilled to be dancing in The Nutcracker at the San Fransisco Ballet, but his life would be easier if he didn’t have a crush on the dancer playing Prince Charming.
* Good Man. NC-17 (George Kirk/Jim Kirk).
Jim has a chance to prove himself to the father he never knew.
*Hallmark Moment. PG-13, Kirk/McCoy. (drabble)
Kirk always knows just what to say.
* I'd Take a Bullet Meant for Both of Us NC-17 (mirror!verse, tons of warnings) Kirk/McCoy, McCoy/Pike, Kirk/McCoy/Pike
When backed into a corner, McCoy has to make a deal with Christopher Pike, Commandant of Cadets at the Imperial Academy.
* Also, Home for the Holidays (from the I'd Take a Bullet 'verse).
Kirk gets all sentimental at Yule.
* Many Hands Make Light Work. NC-17 (aliens made them do it). Spock/Kirk/McCoy, Spock/McCoy.
Kirk may have given a few passing thoughts to Spock and McCoy’s relationship, but he didn’t mean for things to end up like this. Really.
* My Heart is a Holy Place. NC-17 (Sulu/Chekov, Mirror!verse, non-con).
Sulu and Chekov are in the early stages of their relationship when Chekov finds himself in an alternate universe with a very different Sulu.
*Old Home Ground (The Now and Then Remix). PG. Gen w/ Winona/George.
Remixed from Purity by velvetfiction.
Though Winona had been born there, the farm didn't feel like home. Not any more.
* Position of Strength. NC-17. Spock/McCoy/Kirk.
Spock and McCoy have differing opinions about how to do just about everything. Including Kirk.
* Proper Motivation. NC-17 (Dub-con). Spock/McCoy/Kirk.
In the Mirror!verse, Kick impresses on McCoy why his continued obedience is necessary.
* Proving Ground (The Rush of Blood Remix). NC-17 (Mirror!verse, mind the many warnings). Sulu/Chekov.
Pavel Chekov has a plan to join the most prestigious fraternity at the Imperial Academy. Despite the brothers’ rigorous system of testing new recruits, Chekov is determined to prove himself worthy, no matter the cost.
* Stop What You're Doing and Breathe. PG-13. Kirk/McCoy.
McCoy has to get to Jim, no matter the obstacle. (bad dreams and drowning!)
* Thinly Veiled Excuse. NC-17. Sulu/Chekov.
A shipboard mishap gives Sulu and Chekov a chance to spend some quality time together.
*Triptych. NC-17. McCoy/Chekov, McCoy/Kirk/Chekov.
This is how it happens, from three points of view
* Wag the Dog. NC-17 (puppy play). Sulu/Chekov.
Chekov likes it when Sulu takes control.
*We Have Loved the Stars Too Fondly to be Fearful of the Night. NC-17 (slavery and inherent consent issues, memory of sexual violence). McCoy/Chekov.
More than anyone else on the Enterprise, Leonard McCoy knows that space is disease and danger wrapped in darkness and silence. As much as he’s seen in the two years since the Narada incident, he’s not prepared when a simple mission ends in the disappearance of a crewmember. The crew must adjust to the idea that one of their own may never come home.
And its sequel Though My Soul May Set in Darkness. NC-17 (mind the warnings) McCoy/Chekov and various other pairings.
Chekov has recovered from a year spent in captivity after an away mission gone wrong; he’s repaired relationships with his friends and built a new love with a certain surly ship’s doctor. A new undercover mission could offer Chekov closure, but other crew members object to putting himself in danger again. Chekov knows he’s strong enough to face his fears, but can he convince those closest to him that this mission is worth the risk?
And Home for the Holidays (from the I Have Loved the Stars 'verse).
Chekov explains the importance of Noviy God.
* What I Say (When I Say Anything at All). Kirk/Spock. NC-17
Discipline was impossible around James T. Kirk.
* You Gotta Be Starving For It. NC-17. Pike/McCoy/Kirk.
Pike tests McCoy's limits with a little help from Kirk
* Za Vas Vsyekh (or, The Dangers of Toasting on the Enterprise). NC-17. Sulu/Chekov.
Chekov teaches the rest of the crew to drink vodka.
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Sherlock
* Absnc Mks <3 Grw Fndr. PG-13. John/Sherlock.
John goes on a trip, and Sherlock continues with business as usual.
* Better Than On a Dream Intrude. R. Sherlock/Victor Trevor, Mycroft Holmes
Sherlock had done everything right, but he'd still failed. He retreats to a safe place to put things right.
* Combine and Conquer (the Pivot Remix). NC-17. Sherlock/John/Lestrade.
John gets more than he bargains for when he suggests a threesome as his and Lestrade’s next adventure as a couple.
* Compersion. NC-17. Sherlock/John/Lestrade.
After The Fall, John and Lestrade find that love’s not halved in the sharing.
* The Cure is Worse. PG-13. John/Sherlock.
Sherlock needs to test a theory about his nicotine habit. The results are not what he expects.
* Desdemona. R (Established D/s relationship). John/Sherlock
For this to work, John has to be able to trust Sherlock with the most precious thing of all: Sherlock's own well-being.
* Exquisite When Unseen. NC-17, Sherlock/John.
Sherlock wants to understand the effect he has on John, but discovering what’s right before his eyes might require a blindfold.
* First Right of Refusal. PG-13. Mycroft/Lestrade.
Lestrade isn’t ready to say yes to everything.
* Fragile, Like Frost. G. Young!Mycroft and Young!Sherlock.
On Christmas Eve, Sherlock thinks he knows why the Holmes parents are arguing.
* The Golden Key (Ice Melt Remix). PG-13. John/Sherlock
The current case involves a dead maid, a rumour of ghosts, and a quickly worsening head cold, but none of that troubled John so much as the troublesome patterns he began to notice in the way Sherlock dealt with death.
* Honour Guard. PG. Mycroft/Lestrade.
Lestrade is participating in a state function. His uniform for the occasion causes some interesting reactions.
* I Don't Buy It; It's Not For Sale. R. Sherlock/John (ish).
John has quite a bit of professional experience, but he hasn’t encountered a client quite like this before.
* In My Master's House Are Many Rooms. NC-17 (mind the many warnings). Sherlock/John with Mycroft/Lestrade and other assorted pairings.
As a new slave in the Holmes household, John is having trouble finding his place.
And see the master post for more stories in this universe.
* Indelible. R. Mycroft/John.
John wakes up, and Mycroft lulls him back to sleep.
* Intelligence Gathering. R. Mycroft/John.
John’s not used to formal wear, but if Mycroft insists, he’ll make the best of it.
* Knockin' At My Cellar Door R. Moriarty/Sherlock.
Sherlock can't stay away from Moriarty, but he can't be himself, either.
* Lay Down Your Burdens (the At Your Feet Remix).. Mycroft/Lestrade
Mycroft can’t be everything Lestrade needs, but he will keep trying
* Lesson Learned. G. Mycroft & Sherlock.
Mycroft's careful plans are derailed by Sherlock's abhorrent behaviour. The reason for the distraction, however, is not what he expected.
* Lessons. R. Sherlock/John, Mycroft/Lestrade.
Sherlock stumbles across evidence that makes him doubt John’s loyalty.
* A Little Bit, Sometimes. R. Sherlock/Jim Moriarty.
Moriarty knows how to keep Sherlock coming back for more.
* A Little Healthy Competition. R (D/s play, light BDSM). Sherlock/Jim Moriary.
College AU. Sherlock and Jim have a little bet going that involves a hefty forfeit.
* Long Distance II. PG-13. Sherlock/John.
While John is out of town, Sherlock contracts a mysterious illness.
* Maybe There Is a Beast, Maybe It's Only Us. PG-13, Sherlock and John.
After running afoul of pirates during an investigation, John and Sherlock find themselves stranded and dealing with the deepest of their individual fears.
* On the Scent. PG-13. Sherlock/John
While investigating a mysterious death at a foxhunt, Sherlock’s attempt to teach John a new skill does not go as planned.
* Personal Tutoring. NC-17. Mycroft/Sherlock(ish)
Sherlock comes to Mycroft for some information.
* Proves the Rule. R. Sherlock/John.
John has rules he abides by, no matter who pays for his services.
* The Rules are the First to Go NC-17 (Alpha/Beta/Omega-verse). Lestrade/John, Sherlock/John.
Sherlock has no interest in bonding with John Watson, or with anyone, but he may regret bringing John to a crime scene manned by DI Lestrade.
* RSVP: A Well-Dressed Detective and His Reluctant +1. NC-17. John/Sherlock
John had followed Sherlock into some unpleasant situations, but this one was proving to be particularly dreadful.
* Seems to Be the Only Time I Can See You Clearly. R (mind the warnings). Lestrade, John.
Sometimes John’s friends call him when they need to get patched up off the record. He wishes these things didn’t happen so frequently to the people he cares about.
* Still Alive For You, Love. NC-17. John/Lestrade/Sherlock.
Lestrade and John vigorously demonstrate their displeasure at Sherlock’s running off and getting himself into trouble.
* The Structural Integrity of Complex Polyhedra. R (D/s elements). John/Lestrade/Sherlock.
Sherlock doesn’t understand John’s reaction to this case, so he goes to Lestrade for assistance.
* A United Front. R. Sherlock & Mycroft with hints of Sherlock/Mycroft
Mycroft perpetuates deceptions for a living, but he does attempt not to lie to himself, at least where his brother is concerned.
* The Wisdom of Cats (The Complementary Remix). R (incest, pet play). Mycroft/Sherlock.
Remixed from jain’s fic A Quiet Evening In
Sherlock could stop any time. He didn't need what Mycroft provided on their evenings together. He could break the script if he wanted. He simply chose not to.
* You Can Have It. R. Mycroft/Lestrade.
Every moment they're together deepens the plans Lestrade knows may never come to pass.
* You Lead, I Lead, You Follow, I Follow. PG. John/Sherlock.
John wakes up after a chase gone wrong to find Sherlock watching over him, but he’s a little hazy on the details.
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Teen Wolf
* I Will Keep You Safe and Warm (the On the Run Remix). PG-13. Scott/Isaac.
*The Night Sky Is No Home. PG-13. Scott/Isaac.
Isaac can’t handle it if one more person-one more person who’s supposed to care about him-makes him feel this worthless.
The Crash Series
* You Land Badly. NC-17 (non-con warning) Ethan/Aiden/Isaac.
Isaac really shouldn’t have gone after the twins without the rest of the pack.
* Go To The Edge Sometime. NC-17 (non-con), Ethan/Aiden/Isaac
No one else can know what Isaac’s done.
* Prove Your Body Wrong. NC-17 (non-con), Ethan/Aiden/Isaac, and Scott/Isaac.
Isaac can’t hide forever, especially once the twins’ actions begin to have consequences he didn’t foresee.
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Other Fandoms
* Avengers: Everything in Its Place. R (Dom/sub). Clint/Natasha.
This is the last piece of the puzzle Natasha needs to reassure herself it's all over.
* Black Jewels: Visitation. R (dub-con, drugging, incest). Daemon/Lucivar.
Lucivar doesn’t allow himself many weaknesses, but he can’t refuse comfort from Daemon.
* CSI: Compelling. NC-17 (non-con, drug use, violence, bigotry, tons of angst, seriously dark, use of cliched plot devices ftw). Nick/Greg.
Nick goes undercover, and he and Greg end up in serious trouble.
* Frankenstein (Nick Dear play): I Learnt the Ways of Men. R. Victor/The Creature.
The Creature pursues Victor to offer him a small chance at retaliation.
* Harry Potter: No Surprises (The Feels Like Falling Remix). Written for remix_redux. NC-17. Draco/Harry.
Harry’s not quite sure how he ended up in love with Draco Malfoy.
* Heroes RPF: You're My Atomic Clock of Days. NC-17. Adrian/Milo.
"That video better not EVER be seen by ANYONE, you hear me? Adrian. Seriously."
* Hunger Games: Inevitable As the Tide. R (non-con). Finnick Odair/Annie Cresta, Finnick Odair/Coriolanus Snow
After Annie survives the 70th Hunger Games, President Snow must make Finnick understand his place in the Capitol.
* Misfits: A Momentary Lapse. PG. Simon/Alisha.
It’s not the real thing, but Alisha can’t stop thinking that it could be, someday.
*Pretender: Sanctuary. NC-17. Jarod/Sydney (sort of)
Jarod is investigating a string of disappearances at a BDSM brothel when he receives an unexpected visitor who complicates his plans.
* Sherlock Holmes (book canon): If I Could, I Would Take Your Hand. PG. Holmes/Watson.
Holmes must content himself with looking.
* Sherlock Holmes (book canon): An Invitation, and What It Made Known. PG. Holmes/Watson.
Holmes and Watson have yet to discuss their plans for the upcoming festivities.
* Supernatural: You Turn the Screws (It's What You Choose Remix). NC-17 (mind the warnings). Dean/OCs, Dean/Sam.
Dean can endure anything for his family, but the last thing he wants to give up is Sam’s respect.
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Crossovers of All Kinds!
* Beggars in the House of Plenty. Supernatural/Heroes. NC-17 (dub-con, AUish). Sam/Peter.
Peter, youngest son of the family behind Petrelli International, has found something special with the Sam, whose brother is a lowly bodyguard.
* Balance of Terror (and Zombies). Supernatural/Star Trek. R. Gen w/ hints of Kirk/Spock
Sam, Dean, and Castiel encounter some mysterious strangers, one of whom is experiencing some eerily familiar symptoms.
*Commanding Officer. Heroes/Supernatural au. NC-17. Nathan Petrelli/John Winchester
Nathan is desperately searching for something, and John has an idea of what it could be.
*The Conscience of the Kirk, or How to Stop a Pathetically Self-Destructive Man . Heroes/Star Trek. NC-17. Kirk/Peter, Kirk/McCoy.
Kirk spends a typical night on the town without his best friend, but the consequences bring up feelings he isn’t ready to confront.
* For the Record. Misfits/Sherlock. PG. Gen (w/ implied Sherlock/John and Alisha/Simon).
If Alisha thinks there’s something strange about the older guy who’s sentenced to community service, it’s nothing to the strangeness of the hyper-observant man who comes looking for him.
*I Deduce in My Sleep. Sherlock/Inception. PG. John/Sherlock(ish).
John Watson doesn't quite recognize the agitated man in his dream screaming about idiots, but he knows that he's important somehow.
* I'm Gonna Sing My Song. Supernatural/Heroes. R. Sylar/Luke.
Luke Campbell knows something’s a bit off about the two guys in the Impala who pick up him from that abandoned diner, but when he figures they might be able to help him find what he’s lost, he has to play his cards just right.
*Intuition. Heroes/Star Trek. PG-13. Sylar/Luke (implied) plus Pavel Chekov.
Luke gets picked up in a sting at a club in San Fransisco, and while he waits for Sylar to break him out, he chats with an interesting cellmate.
* Proxy Heroes/Star Trek Reboot x-over. NC-17. Sylar/Jim Kirk
Jim can’t spend shore leave with the man he wants, but he finds someone interested in just how special he is.
*Recruiting Trip. Heroes/Buffy the Vampire Slayer. PG.
Adam has heard stories about some unusual goings-on in Sunnydale, and goes to see if there's anyone who might benefit from his... mentorship.
* Serenity: Excerpts From an Unfinished Fic. Heroes/Firefly fusion. PG-13.
The job should be simple: get a ship, get a crew, keep flying. But for Captain Nathan Petrelli, nothing ever goes smooth.
* Same Song, Different Verse Heroes/Star Trek drabble. NC-17. McCoy/Peter.
When love sucks, Peter and McCoy commiserate.
* The Secret's in the Telling. Heroes/Supernatural x-over. NC-17. Nathan/Peter (Heroes), Dean/Sam (Supernatural), and some cross-pollination.
In following the trail of what they think is a rogue special, Nathan and Peter run into a pair of brothers who claim to be demon hunters. As the Petrellis learn more about the menace they've been tracking, they realize all four of them might be in danger, and some things can no longer be kept secret.
*And the sequel: My Brothers' Keepers. Heroes/Supernatural x-over. NC-17. Every combination of Nathan and Peter Petrelli and Sam and Dean Winchester.
Sam and Dean discover demons have been possessing people with special abilities that have nothing to do with magic. Peter draws a future that reunites him and Nathan with the Winchester brothers. Together they find out that specials--people whose powers come from an unusual inherited gene-- are being targeted for possession by a woman who is on the verge of breaking one of the sixty-six seals that keep the devil imprisoned in Hell.
* And an interlude: Home for the Holidays (from the Secrets in the Telling 'verse) (written with jaune_chat.
The Petrellis and the Winchesters treat themselves a bit.
* A Substantial Favor. Being Human/Neverwhere. PG. Marquis de Carabas, Mitchell, George.
When he and George need to get out of London, Mitchell calls in a favour from an old friend.
* There Is Only One Heart In My Body. Being Human/Harry Potter. PG-13. Sirius/Remus, pre-Mitchell/George.
George thought Mitchell was on board with pretending the supernatural didn’t exist, but then again Mitchell had neglected to mention the “being friends with a wizard” situation.
* These Tornadoes Are For You. Firefly/Sherlock. PG-13. Sherlock/John, past Zoe/John briefly mentioned.
When an old military friend of John’s calls him for help, Sherlock insists on tagging along. Luckily, Serenity holds plenty of danger to keep their attention.
and it sequel:
* Can't Help Pushing Buttons. PG-13. Sherlock/John, Zoe/Wash, implied past Zoe/John
Sherlock wants John to continue his friendly association with Zoe, but that depends on her husband coming to a certain understanding.
* Under Control. Sherlock/Supernatural. NC-17. John Winchester/John Watson.
In Afghanistan, John Watson needs to feel something that only a gruff American Marine can give him.
* We Sister Ships of Different Times. Firefly/Star Trek XI. PG.
Uhura isn't one much for playing hostage.
* Winter is Long. Game of Thrones/Heroes. PG. Jon Snow and Adam Monroe.
At the top of the Wall, Adam relates a bit of what he knows.
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