OK, I admit that I don't hate The Phantom of the Opera. I was a young teenager when I first saw it and it was fun, a spectacle. I also liked the old Gaston LeRoux fiction on which it was based -- a good pulp read.
But today, Phantom replaces Cats as the longest-running show on Broadway.
Well, it was sad in the first place when Cats took that
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As for Lion King, sniff sniff. I had an exam the day of auditions in Toronto for acrobats. twas not fun, physio exam or auditioning for Lion King? Hmmmmm I wonder what would be better teehee
:-)
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My parents -- who as you know can be vaguely theatre-snobbish -- actually enjoyed Mamma Mia, which sort of amazes me. Then again, I believe one goes to that show expect, well, a Tony-and-Tina-meets-ABBA experience; if one goes for quote-unquote theatre, it's a bust.
I agree that, no, we can't make a judgment of a theatregoer's taste based on choosing among several terrible shows, and I also agree that the more the bottom line takes over, the more crap reigns (cf. indie films versus studio blow-em-up-fests, for the uber-obvious example).
I'm not one of those who think theatre has to be deep or unenjoyable to be good, of course. (Did you know John Simon was fired at age 80 because he gave a good review to Chitty Chitty Bang Bang?) I just happen to think that this particular show has outlived any usefulness it may ever have had (like Mel's comment above, where the once-groundbreaking tech is now ho-hum and so it barely even counts as " ( ... )
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Also, I fucking hate - HATE - Wicked.
All this being said, I am very much looking forward to my roommate's upcoming show: Heddatron. Hedda Gabler ... with robots.
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Hedda Gabler, however, can only be improved by robots. :)
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