Synopsis: You'll have to read this as it comes; it isn't much here yet; L.A. is a wintry sprawl of growing disenchantment; politics are spun centrifugally to the extremes; gas power rules the land. The supercilious poet, Linus Carew, is upswept in an assassination plot that will transform the world. Is the heart the loneliest of hunters? (There
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Once upon a time, I knew everythingNo, erase that ( ... )
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Today I find myself typically so sensitive to the world I abhor that I can't help but speak politely as I try to live in it. Much of life is composed of strawmen, and once you find that you too have come undone there seems to be little left but esoteric spiritualism or the feckless nihilism of eloquent rage. And if your identity has been invested in reflecting something back at the world, as the pathology of the writer tends to be, it seems there is no greater (and so worse) surrender than to assimilate all that former truth into the meaningless cacophony of existence. ...I'm just desperate and lost in a world I refuse to comprehend.I'm only 23 now, and I feel disgraced. I feel like I have been the foolish one, and I understand what practical purposes socialization could have had. I get along well enough, but I have a soft underbelly of intensely critical analysis waiting to be prodded at, which sometimes halts me in meaningless conversation. It is my secret depth as well as my Achilles heel, and is mine to overcome, judge, ( ... )
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As for a contextual explanation? I have my opinions. I feel silly offering them, though.
It can roughly be summed up by the phrase --a gnawing, unfixable sense of dissatisfaction that must be weathered, not cured--. Or maybe I be an idiot.
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You be no idiot, sir.
Good ol' Willy Shakes is the man. The language of Shakespeare is almost incomparably expressive.
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