Who: Everyone!
What: Waking up to the start of the AU, hurrah!
When: ....Now?
Where: EVERYWHERE
Summary: You wake up confused... disoriented. This isn't your house. This isn't your family! Just what is going on!?
Rating: Probably all over the map.
Probably comment-spam would be the easiest way to do it. Have fun kids |D
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Zzzzzz and shifting over again and - falling right off the edge of a way-too-narrow bed. Zoro blinks fuzzily, prone on the ground and still tangled in his sheets, then the room comes into focus.
It's not his. Well, his swords are right here, and as he looks around contemplatively from his low vantage point, he can see some random weights, boots, and bottles of booze stashed under his bed...hallmarks of his old bachelor pad, but not things that would be scattered around these days. (Except for the booze.) And the treacherous narrow bed is too small to comfortably share.
...Time-travel? Shifts throwing people around to random places? Zoro hauls himself up and snags his journal, flipping it open as he heads out of the room to see just where he's ended up, and to find ( ... )
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((OOC: Ugh, there's just no way to make the order of these 'checking in' threads work out properly, so I'm going to put this after Zoro's threads with Law, Katara, and Nami, and just say that his 'not here' answer as to his wife's whereabouts is him being absolutely, infuriatingly literal.))
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In any case, it's hard holding that expression when someone's telling him his kids are alright:] Wha-- why didn't you say so?!
[he yanks his journal out of his robe - or hammer space, either one - rushing through the pages until he finds proper summons from all four children, plus Chopper. Relief melts into his bones]
Good...
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Clearing his throat, Sanji closes his journal like a smooth boss. So very smooth. Smoothest smooth to ever smooth.]
Well, of course they were alright. They're my kids.
[ooc: No problem /o/ I can roll with it. Sanji's timeline of events is seriously screwed up anyway. |D]
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[The line is delivered with merely a small eyeroll. Though he's certainly implying Sanji is ridiculous-because he is-Zoro knows the overprotective impulse is to the cook's credit. Annoying, touchy about the weirdest things, smooth like a sheet of scrunched-up tinfoil, doormat-to-females and previously-married-to-Zoro's-wife as the man may be, he's a damn good with his kids.]
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No need for Elicia. My shitty dad's got her. [pause] Again. [Words will be had later]
But Miyabi's out in the woods! [mutter mutter] What if she needs shoes, or a jacket, or-- [A slightly less excited form of anxiety creeps into him, turning him animated again. He starts looking for jackets - who cares if they're not his? He's got a cold daughter to attend to.
And admittedly, he might've forgotten Zoro's there in the room. >_>; Again. He's doing that a lot]
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You could ask her. [Not 100% sure that'll even get through, but whatever.]
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[The chef snags a jacket (or two), draping it over a shoulder as he trails after the other] What are you doing?
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...These are Nami's.
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Except Nami's not here. Huh, completely different locations then? It makes as much sense as anything else. Or the shift does more than drop them in different locations? His mind's still supplying answers for the string of questions when he moves to the desk, idly flipping through the maps, the papers shoved under, and--
His eyebrows lift. What do we have here?
This is--
[He'd recognize that handwriting anywhere, and picks up the papers for a closer look]
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What?
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Nami's handwriting. [That's not the strange thing. What's caught his attention is the content. Sanji would have said nothing if the pages contained lists of investments and loan requests, but instead there are calculations like he's never seen before; almost like they belong with the maps.]
You recognize any of it? [She probably just found a new hobby]
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I've never seen her do stuff like this. [And he'd notice if she had. He interrupts her at her desk often enough to know the kinds of things she works on. And if the cook doesn't recognize it it's not something she used to do, either.
...Plus, if she were drawing maps like these, she'd be making money off of them. >_>a Even Zoro can tell they're high quality.]
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Maybe something else to do with the shifts? [But how is the question now. And it's a question Sanji can't answer. He drops the papers back on the desk]
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