Fic Archives
Bones
Carry You Home
Brennan-centric (Max/Ruth, Russ), PG-13, Pre-series
A story about how Joy Keenan became Temperance Brennan, and the people who shaped her.
Reasons Why
Booth/Brennan, PG-13, Post-The Parts in the Sum of the Whole
Obligatory post-100th tag.
Pennies Lost, Pennies Exchanged
Booth/Brennan, PG-13, Post-The X in the File
Written for rosie_not_rose as part of a Christmas fic exchange.
iTunes Fic Meme
Booth/Brennan, PG
Five drabbles from songs.
Zeros and Ones
Booth/Brennan, PG, all seasons
Seven gifts Booth gave Brennan at seven not-so-arbitrary times.
In Motion
Booth/Brennan, PG-13
Booth is displeased with Brennan's decision-making.
Shuffled
Booth/Brennan, PG-13, The Harbingers in the Fountain
A speculation piece roughly based on sides from 5.01.
Of Pumpkins and Glass Slippers
Booth/Brennan, PG
"High-risk situations, he'd once explained to her, and with his words, he'd traced over the pencil marks with a marker, its felt tip leaking ink into the canvas of their relationship."
Strangers
Booth/Brennan, R, Post-The End in the Beginning
"She's still a stranger to him, for the most part. This much she knows."
Wavelength
Booth/Brennan, PG, Post-Two Bodies in the Lab
Brennan studies lines (and crosses one).
Velocity
Booth/Brennan, PG-13, Post-Cinderella in the Cardboard
It's not a lesson in monogamy, or relationships, or even love. It's a lesson in them, what they share, and what they don't yet.
Papillon
Booth/Brennan, PG-13, Post-The Man in the Outhouse
"Not everything has to be scientific or logical, Bones. Sometimes you can just have butterflies."
Salt in the Pepper Shaker
Booth/Brennan, PG, Post-Yanks in the UK
Salt shakers had more holes than pepper shakers, but that was irrelevant to functionality.
There are B/B fics over at fanfiction.net that I never got around to posting here:
Mutualism
Booth/Brennan, PG-13, Post-The Beaver in the Otter
"It was unsettling, sometimes, how he could translate and decipher the words she dipped in decorum or hid behind professional courtesy."
Three Revelations
Booth/Brennan, PG-13, Post-The Girl in the Mask
"Contentment is not the fulfillment of what you want, but the realization of how much you already have." -Anonymous
Glee
PLEASE NOTE! This list is no longer being actively updated. The most complete archive of my Glee fics can be found at AO3: http://archiveofourown.org/users/nightshifted
Brittany/Santana
Building Homes From What We've Known
Brittany/Santana, NC-17, AU
Part I | Part II
Destination Beautiful
Brittany/Santana, PG-13, 2.08 Furt
A chat with Finn Hudson leads to some revelations.
(We've Got) Time On Our Side
Brittany/Santana, PG, 2.07 The Substitute
There are things Santana still has left to figure out.
Sing You To Sleep
Brittany/Santana, NC-17
Last-minute pinch hit for an exchange over at the glee_kink_meme. So. Porn.
A Lonely Chord (Without A Song)
Brittany/Santana, PG-13, 2.08 Furt
Santana doesn't need anyone. Doesn't want to feel the pull of attraction. And yet.
Bespectacled
Brittany/Santana, PG-13, 2.04 Duets
Santana is in the fourth grade when the chalk lines across the blackboard start getting fuzzy.
This Game We Spectate
Brittany/Santana, NC-17
Santana takes Brittany to a hockey game.
This Very Secret (That You're Trying To Conceal)
Brittany/Santana, R, 2.01 Audition
How Brittany finds out about and reacts to Santana's boob job.
Also, Angels
Brittany/Santana, PG-13, 1.17 Bad Reputation
How Rachel Berry convinced Santana and Brittany to be in her Run Joey Run video.
If My Heart Was A Compass
Brittany/Santana, NC-17, Season 1
Santana Lopez has a plan. A three-point plan. A really fucking efficient three-point plan that's going to get her the hell out of Ohio. This is her story.
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | SOUNDTRACK
Rachel/Quinn
Don't Wake
Rachel/Quinn, NC-17
Rachel’s eyes flit up toward the ceiling, lids fluttering as she attempts to steady her breathing. She doesn’t know how she’d gotten here.
Every Smile That's Unveiled
Rachel/Quinn, NC-17, 2.02 Britney/Brittany
Somewhere along the way, Quinn Fabray discovers that Rachel Berry is just a girl. Just a girl like her.
We Are Led (To Those Who Help Us Most To Grow)
Rachel/Quinn, R, Post-Funk
Some things in life, Quinn learns, are pretty cruel. Like Coach Sylvester's armpit-smelling punishments, or the president of the celibacy club having a baby out of wedlock at sixteen. But life is about the lemonade, not the lemons, or whatever.
Brittany/Quinn
Keep It Loose, Keep It Tight
Brittany/Quinn, NC-17, AU
Brittany rolls into Quinn's life with startling blue eyes, an infectious laugh, and an unapologetic penchant for nudity.
Rachel/Santana
C'mon Girls (Let's Show The Guys That We Know)
Rachel/Santana, NC-17
For this prompt: Santana/Rachel. Piano in the choir/glee room. Rough (consensual) sex. Somebody walks in and Santana notices, doesn't care and continues to screw Rachel senseless.
Puck/Santana
Suspension
Puck/Santana, R, mid-S2
Something changes the moment Brittany turns her down for sex.
Dreams of Starry Nights
Puck/Santana, NC-17
Puck and Santana's summer adventures.
Puck/Tina
Nothing But Beating Hearts
Puck/Tina, NC-17
He can tell she's frustrated and eager to get some pleasure from that cute body of hers. He can get behind all that shyness and show her how.
Mike/Brittany
Like A Movie Loves A Screen
Mike/Brittany, NC-17
A dance with Brittany isn't just a dance. It's a conversation. She never confuses the words, never misunderstands the meaning.
Emma/Santana
One Of These Days
Emma/Santana, PG
The choice between history class and a free pass with a decidedly psycho guidance counselor is an obvious one, even if it means Santana sits there and paints her nails while Emma disinfects her desk for the tenth time and rambles on about mental illness.